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Center Stage with Artist: Kelley Harris

Please show your support by visiting her site and learning even more. "Kelley is a concept artist and illustrator creating unusual things around the Bay Area, California. She currently works for Disney Interactive as a character artist. Other clients include Paizo, Sideshow Collectables, Disney Interactive Media Group, Spectrum 15, Ballistic Publishing for Exotique 5 & 6, Imagine Publishing Corel Painter Magazine / Digital Art Magazine, Fantasy Flight Games, and Visions Found. Most used materials include graphite on marker paper, Corel Painter X, Adobe Photoshop/Illustrator CS5, Oils." Site: [http://krhart.com/]
Sigh, it's all good sis. You're not talent-less, your talents just lay elsewhere. I also find all of this amazing. If only we could stream our ideas onto paper magically.
i find it astonishing that ppl can express their creativity thru drawings or any form of art work, i applaud their actions b/c me, im so talent-less, lolz
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Disney Princess - Little Mermaid
Hi! SleepingBootie is back with another Disney Princess series! Today's pick is, "Little Mermaid" As you all know, Disney is making a Live Action for "Little Mermaid"!!!! Super excited to introduce you guys Ariel & her profile! Name Ariel Full name Ariel Other name(s) Princess Ariel Queen Ariel Sweetie Young lady Honey Angelfish Red GenderFemale RaceMermaid(formerly) Human OccupationPrincess (formerly) Queen Eric's wife Age15(The Little Mermaid: The SeriesandThe Little Mermaid: Ariel's Beginning) 16(The Little Mermaid) 17 at beginning of movie and 29 during film(The Little Mermaid II: Return to the Sea) ARIEL Princess(later) Queen Arielis a fictional character, a mermaid, and the protagonist of Disney'sThe Little Mermaid. She later appears in the film's prequeltelevision series, the direct-to-video sequelThe Little Mermaid II: Return to the Seaand the direct-to-video prequel,The Little Mermaid: Ariel's Beginning. Personality Ariel is a bright, spirited and headstrong mermaid with a strong passion for adventure and exploration. Her tendency to explore the more mysterious depths of the ocean (or more importantly, the world beyond the ocean) can lead to an array of problems to both herself, her friends, and in the confines of her personal life - as seen through her constant confrontations with her overprotective father, Triton. Despite this, Ariel's selflessness, compassion, and intuitive way of thinking often resolve such problems, as she always takes full responsibility for her actions. For more information, refer to the link below! :)
μ˜€λ¬˜ν•œ 맀λ ₯을 가진 가러리 β€˜μƒŒλ“œμœ„μΉ˜ apt.’ κ·Έλ£Ήμ „ <사적인 μ›€μ§μž„> μ˜€ν”ˆ
μ„±μˆ˜λ™ 연무μž₯κΈΈ ν•„μˆ˜ μ½”μŠ€κ°€ 생겼닀. ν¬ν† κ·Έλž˜νΌ μž₯덕화와 ν¬λ ˆμ΄ν‹°λΈŒ λ””λ ‰ν„° μ˜€μ§€μ˜μ΄ μ „μ‹œλ₯Ό μ£ΌμΆ•μœΌλ‘œ λ‹€μ–‘ν•œ ν”„λ‘œμ νŠΈλ₯Ό μ‹œλ„ν•˜λŠ” 가러리 β€˜μƒŒλ“œμœ„μΉ˜ apt.’λ₯Ό μ˜€ν”ˆν–ˆλ‹€. μƒŒλ“œμœ„μΉ˜ νŒ¨λ„λ‘œ 지은 κ°€κ±΄λ¬Όμ˜ μƒνƒœμ—μ„œ μ˜κ°μ„ μ–»μ–΄ 이름 뢙여진 β€˜μƒŒλ“œμœ„μΉ˜ apt.β€™λŠ” 졜근 SNS ν•«ν”Œλ ˆμ΄μŠ€λ‘œ κΈ‰λΆ€μƒν•œ μ„±μˆ˜λ™ 연무μž₯κΈΈ μ΄ˆμž…μ— λ‚˜μ§€λ§‰μ΄ 자리 작고 μžˆλ‹€. μ°Έμ—¬ μž‘κ°€μ˜ μ·¨ν–₯은 λΆ„λͺ…ν•˜λ‚˜ νŠΉλ³„ν•œ 색을 가진 μž‘ν’ˆμ„ λ‹΄λ‹΄νžˆ μ†Œκ°œν•˜κ³ μž ν•˜λ©°, μž‘ν’ˆλ“€μ΄ μ£ΌλŠ” ν‘μž…λ ₯이 κ΄€λžŒν•˜λŸ¬ 온 μ‚¬λžŒλ“€κ³Ό μžμ—°μŠ€λŸ½κ²Œ μœ λŒ€κ°μ„ ν˜•μ„±λ  수 μžˆλ„λ‘ 기회λ₯Ό μ œκ³΅ν•΄ μ£ΌλŠ” 것이 β€˜μƒŒλ“œμœ„μΉ˜ apt.β€™μ˜ λͺ©μ . μž…κ΅¬μ—μ„œλΆ€ν„° λŠκ»΄μ§€λŠ” μ•„ν‹°μŠ€ν‹±ν•œ λΆ„μœ„κΈ°μ™€ 가러리 곳곳에 μˆ¨κ²¨μ§„ λ¬΄μ‹¬ν•œ λ“― μΏ¨ν•œ μΈν…Œλ¦¬μ–΄κ°€ λ°œκ±ΈμŒμ„ 찾은 μ΄λ“€μ—κ²Œ μž”μž”ν•œ 재미λ₯Ό μ„ μ‚¬ν•œλ‹€. β€˜μƒŒλ“œμœ„μΉ˜ apt.’가 μ„ λ³΄μ΄λŠ” 첫 μ „μ‹œ, <사적인 μ›€μ§μž„μ€>은 κ·Έλ£Ήμ „μœΌλ‘œ β€˜ν”Œλ‘―(PLOT)’, β€˜νŒŒλΌλ‹€μ΄μŠ€(PARADISE)β€™μ˜ λ°•μƒν˜Έ, β€˜κΈ€λΌμŠ€ λžœλ“œμŠ€μΌ€μ΄ν”„(GLASS LANDSCAPE)β€™μ˜ μ΄μˆ˜μ§„ μž‘κ°€κ°€ μŠ€νƒ€νŠΈλ₯Ό λŠμ—ˆλ‹€. λ¨Όμ €, μž‘κ°€ λ°•μƒν˜ΈλŠ” λ§Žμ€ μ‹œκ°„μ„ ν˜„μ‹€κ³Ό λΉ„ν˜„μ‹€μ— λŒ€ν•΄ μΈμ‹ν•˜κ³  μžλ¬Έν•œλ‹€. 색과 νŒ¨ν„΄ 그리고 수직과 μˆ˜ν‰μ˜ ꡬ쑰적인 ν˜•νƒœμ— λŒ€ν•œ 고찰을 λ―Έλ””μ–΄μ•„νŠΈμ™€ ꡬ쑰물 λ“±μœΌλ‘œ ν’€μ–΄λ‚Έ β€˜ν”Œλ‘―β€™, β€˜νŒŒλΌλ‹€μ΄μŠ€β€™λ„ κ·Έλ ‡λ‹€. 그쀑 μž‘ν’ˆ νŒŒλΌλ‹€μ΄μŠ€λŠ” ν•˜λŠ˜κ³Ό 지평선 그림의 쒅이λ₯Ό 배경으둜, 석양과 μ•Όμžμˆ˜κ°€ μžˆλŠ” λ°”λ‹·κ°€ λͺ¨ν˜•μ˜ 풍경이 μ˜μƒμœΌλ‘œ λ‚˜νƒ€λ‚˜λ©° μ‹ λΉ„λ‘œμš΄ λ¬΄λ“œλ₯Ό μžμ•„λ‚Έλ‹€. μ΄λŠ” 맀체λ₯Ό 톡해 νŒŒλΌλ‹€μ΄μŠ€λ‘œ κ°μΈλ˜μ–΄ 이미지가 λͺ¨λ‹ˆν„° 속 μ‹€μ œμ™€ ν—ˆκ΅¬μ˜ 두 가지 ꡬ쑰둜 ν‘œν˜„λ˜λŠ” 것. ν—ˆκ΅¬μ  ν˜„μ‹€μ˜ μž¬ν˜„μ„ 톡해 κ°–κ²Œ 된 우리의 지각과 인식에 λŒ€ν•œ 이야기λ₯Ό μ „λ‹¬ν•˜κ³ μž ν•œλ‹€. μž‘κ°€ μ΄μˆ˜μ§„μ€ μ•„μŠ¬μ•„μŠ¬ν•˜κ±°λ‚˜, μ–΄λ ΄ν’‹ν•œ 것, ν•œ κ°€μ§€λ‘œ μ •μ˜ν•  수 μ—†λŠ” λͺ¨ν˜Έν•œ κ²°λ§μ΄λ‚˜ λΆˆν™•μ‹€ν•œ μ—°κ²°μ„± 등에 κ°€μΉ˜λ₯Ό λ‘”λ‹€. β€˜κΈ€λΌμŠ€ λžœλ“œμŠ€μΌ€μ΄ν”„β€™λŠ” 자투리 유리λ₯Ό μž¬ν™œμš©ν•΄ λ„μ‹œν™”μ™€ 산업화에 λ”°λ₯Έ 징후와 ν˜„μƒμ„ μ‘°λͺ…ν•œ μž‘ν’ˆ. μž”ν˜Ήν•˜κ³  λ‚ μΉ΄λ‘œμš΄ 곡포의 감각을 μ£ΌλŠ” 유리 쑰각은 달리 μƒκ°ν•˜λ©΄ μ—°μ•½ν•˜κ³  λΆ€μ„œμ§€κΈ° μ‰¬μš΄ μž”λ””λ‚˜ μ‹ λΉ„λ‘œμš΄ κ²°μ •μ²΄μ²˜λŸΌ 보인닀. κ±°λŒ€ν•œ λ„μ‹œμ˜ 이면에 μˆ¨μ€ 또 λ‹€λ₯Έ λ„μ‹œμ˜ 풍경을 κ°„μ ‘μ μœΌλ‘œ ν‘œν˜„ν–ˆλ‹€λŠ” μ μ—μ„œ 인상 κΉŠλ‹€. μ•žμœΌλ‘œκ°€ 더 κΈ°λŒ€λ˜λŠ” β€˜μƒŒλ“œμœ„μΉ˜ apt.β€™μ˜ 첫 μ „μ‹œ <사적인 μ›€μ§μž„>은 μ˜€λŠ” 7μ›” 31μΌκΉŒμ§€ 이어진닀. μƒŒλ“œμœ„μΉ˜ apt. μ„œμšΈ 성동ꡬ 연무μž₯κΈΈ 114 3μΈ΅ λ”Β μžμ„Έν•œΒ λ‚΄μš©μ€Β <μ•„μ΄μ¦ˆλ§€κ±°μ§„>Β λ§ν¬μ—μ„œ