2 years ago1,000+ Views

It's almost like Hollywood doesn't care. Weird.

Despite the complaints about 'affirmative action' and 'political correctness' every time a nonwhite actor is cast in a traditionally white role, movies are basically as white as they've always been. Researchers at the University of Southern California studied the 700 top-grossing films from 2007 to 2014, (excluding 2011) and found that there was barely a difference in the number of nonwhite roles.
(Thank PBS for this handy chart).

"They're just casting the best person for the job" <--- no.

Hollywood is not even trying here. Casting directors don't even look at nonwhite actors for major roles despite the fact that most of them weren't explicitly written for a white actor. In fact, take the 2007 movie A Mighty Heart. Despite the fact that it was a true story about a nonwhite woman Angelina Jolie was cast in the role. This isn't about 'the best person for the job', this is about the fact that Hollywood casting directors are not even looking at nonwhite actors. If they were, our films might actually reflect current American demographics. But they don't:

And that's not even taking women into account.

"Only 30.2% of the 30,835 speaking characters evaluated were female across the 700 top‐grossing films from 2007 to 2014." (via). The US is currently about 40% minority and a little more than half women (via), and you'd never know it if you were going by our films. In American film, white men are absolutely the majority. They have bigger roles, more lines, and more parts. Which means fewer work opportunities for everyone else. And it means that nonwhite stories are 'other', they're not the norm. Stories featuring nonwhite characters are not seen as universal, they're seen as 'pandering', as 'politically correct'. But looking at the numbers, Hollywood is indeed pandering, but it's not to minorities.

"They're just worried about their profits" <--- also no.

Diverse casts deliver higher ratings, and a bigger box office return (via). Movies like Fantastic Four, with its 'controversial' casting of Michael B. Jordan as Johnny Storm are outliers. The Fast and the Furious franchise was hugely successful (competing neck and neck with the X-Men franchise). The assumption that whiteness and maleness are better for business is completely unfounded. "Movies with relatively high onscreen minority involvement (21-30%) posted $160.1 million in global box office receipts in 2011, while those with lower involvement (less than 10%) made just $68.5 million" (via).

So I guess Hollywood hates money?

Well fine. But in the meantime they're producing movie after movie that does an absolute disservice to us. Film and television, for better or worse, are part of our cultural identity. It's how we express who we are. Having positive representations of ourselves- ALL of ourselves- is necessary.
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@redapple615 no I totally see where you're coming from. I know actors don't really have a lot of leeway when it comes to that kind of criticism, but you always have the option to not comment instead of defending a poor choice.
i noticed this but its this bad hu dam maddam this is just ass @shannonl5
I think it also has to do with traditional casting. they cast the ppl who they think will make them money, and that means white actors. I agree, the Johnny storm issue is totally separate. that was comic book fanboys and fangirls going overboard on a remake wanting to have a diverse cast. not to mention, the new star wars movie also tried t be diverse and broke box office records
so I think it's just the limited scope of casting directors they go the "safe" route to ensure cinema success, but fail to look at other casting issues, making the window for other actors even smaller
@melifluosmelodi what baffles me is that it's not actually safe! Gods of Egypt is a recent example- they cast all white actors as Egyptians and the movie totally flopped! @redapple615 mentioned Pan and Avatar (the last Airbender), both of them did the same thing and they were both terrible when it came to their box office. Hollywood is literally losing money every time they whitewash a character, while movies about nonwhite people get almost no marketing and still manage to do well.