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These Aren't Photos, They're Paintings...

Kei Mieno is a Japanese artist born in Hiroshima who has been painting professionally for more than 10 years already. This 33-year-old painter specializes in hyperrealism, and mostly uses oil paint to create his masterpieces.

Check out his site!
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Damn! When I see paintings like this and look back at the old classic painters and wonder why didn't they do this kind of thing since it seems it's actually possible 🧐
Stunning. This surpasses reality. He paints as though he's 4k digital! these are stunning. I would love to see videos of him painting.
hyperealism is like photographic painting
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ले गया गंवई रंग का कटोरा बाईं ओर पर पीछे की जल्दी से आगे बढ़नेवाला डिश (मैं करने के लिए योजना बनाई नमक डाल वहाँ के रूप में मैं अक्सर नमक मेरे जैतून का तेल), और मैं इसके साथ ही सफाया सुस्त गंवई रंग का कटोरा के पीछे जैतून के प्लेट की पीठ पर सही है. इसके अलावा, एक बार फिर, पिछले शॉट. खाद्य फोटोग्राफी मैंने कॉर्निचोन अचार के साथ शॉट के पीछे अधिक पत्तियों/शाखाओं को जोड़ा, रोटी को पीछे की ओर खोला, और बाद में भोजन को सुशोभित करने के लिए जैतून के पास का उपयोग किया । यहाँ मेरा सेट है । खाद्य फोटोग्राफी भारत मुझे उस दिन स्टूडियो में स्टब्स का उपयोग करने की आवश्यकता थी क्योंकि यह बाहर बहुत ही आकर्षक था, इसलिए मैं अपने रोल अप एंट्रीवे ओपन के साथ सामान्य प्रकाश के साथ शूट नहीं कर सका । इस शॉट में लाइट मेरे वर्क लाइट से है न कि मेरे स्टब्स शॉट को लाइटिंग करते हैं, बल्कि मुझे बिना किसी संदेह के आपको मेरा सेट देखने की जरूरत है । दाईं ओर से लुढ़कने वाली सफेद चीज वास्तव में एक स्क्रिम है । हम इसे एक बिंदु मानते हैं । स्क्रिम ने पूरी तरह से डायवर्टिंग लाइट को पिघला दिया जो शीर्ष पर जैतून का तेल मार रहा 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माध्यम से जला दिया $125 के लिए 30 चांदी के बर्तन के एलबीएस और वह जगह है जहाँ अद्भुत टुकड़े की है कि बड़ी संख्या से आया है.
Quản lý tài chính thế nào để thích nghi với trạng thái bình thường mới?
Không nhiều người trong chúng ta thường xuyên lập kế hoạch tài chính cho đến khi gặp phải một sự cố bất ngờ. Chẳng hạn như tai nạn, thất nghiệp hay điển hình là dịch bệnh Covid-19. Covid-19 không chỉ ảnh hưởng nghiêm trọng đến sức khỏe mà còn về tinh thần lẫn tài chính mỗi người. Do đó, trong bối cảnh “chỉ có sự thay đổi là chắc chắn”, mỗi người cần phải thích nghi và điều chỉnh các kế hoạch tài chính phù hợp với cuộc sống bình thường mới. Một khi bạn đã cảm thấy an toàn về mặt tài chính thì mọi thứ về y tế, chăm sóc sức khỏe, gia đình sẽ không khiến bạn thêm âu lo hơn nữa. Chia sẻ thêm về chủ đề: “Những thay đổi trong cách quản lý tiền bạc để thích nghi với trạng thái bình thường mới”. RedBag đã có cuộc trò chuyện với hai khách mời vô cùng đặc biệt. Sớm có kế hoạch tài chính mọi phiền lo sẽ không tồn tại Không biết với đợt dịch Covid-19 lần thứ tư này có ảnh hưởng gì đến cuộc sống của các bạn hay không? Cụ thể hơn là về công việc và thu nhập hiện tại? Thạch: Mình đã từng đi làm từ khá sớm vào năm 2 đại học. Vậy nên, mình cũng đã chuẩn bị trước kế hoạch tài chính cho bản thân sau khi tốt nghiệp. Cơ bản là nếu dịch bệnh xảy ra, mình cũng có đủ nguồn tiền để chi tiêu cho khoảng 6-8 tháng tiếp theo mà không quá lo lắng. Ngược lại, mình lại thấy trong đợt dịch này mình sống tiết kiệm hơn. Từ khi có dịch mình về quê nên hầu như mọi khoản chi tiêu đều đã được cắt giảm đáng kể. Phúc: Mình thì cảm thấy khá may mắn vì công ty hiện tại mà mình đang làm việc ít bị ảnh hưởng bởi dịch. Do đó, thu nhập cũng không bị ảnh hưởng nhiều. Song công ty cũng có các chính sách hỗ trợ nhân viên trong mùa dịch nữa. Nhờ đó mà mình cảm thấy thu nhập có phần tăng lên ấy chứ. (Cười) Ngoài ra, mình cũng giống Thạch ở việc sống tiết kiệm hơn trong mùa dịch. Nếu trước đó mình chi tiêu nhiều vào các dịch vụ ăn uống, vui chơi thì nay lại thấy bớt hẳn. Bởi dịch thì phải tự nấu ăn ở nhà nên mình cũng giảm bớt các chi phí hơn so với việc ăn ngoài hàng. Nhìn chung thu nhập của mình không những không bị ảnh hưởng mà còn được cải thiện đáng kể. Cắt giảm khoản giải trí để đầu tư tiền cho sức khỏe. Không biết với những thay đổi tích cực này, hai bạn có điều chỉnh gì về cách phân bổ nguồn tiền trước đó của mình hay không? Trước và sau dịch có gì khác biệt không? Phúc: Đương nhiên mình cũng có sự điều chỉnh ngân sách trước và sau dịch. Trước đó, mình ưu tiên chia thu nhập thành 6 khoản. Trong đó, phần nhiều dành cho các khoản giải trí và vui chơi. Tuy nhiên kể từ khi có dịch, khoản tiền này đã được cắt giảm đáng kể. Thay vào đó mình dành nhiều tiền hơn cho khoản thiết yếu và chú trọng mua các loại thực phẩm tốt cho sức khỏe. Thạch: Phúc chia làm 6 khoản lận hả? (Cười). Mình chỉ chia tối đa 3 khoản thôi, trong đó 50% dành cho các nhu cầu thiết yếu, 45% để tiết kiệm và đầu tư chứng khoán còn lại mình dành cho việc giải trí, khoảng 5%. Đó là trước khi có dịch bệnh Covid-19, còn trong giai đoạn giãn cách mình cũng có điều chỉnh lại những mức phân bổ này. Do mọi chi phí về ăn uống, đi lại được giảm đi nhiều nên mình quyết định tăng khoản giải trí từ 5 - 10% lên đến 15 - 20%. Nghe hơi lạ nhỉ? Nhưng nó giúp mình giữ được tinh thần tốt để làm việc trong lúc giãn cách. Tăng khoản giải trí có mục đích sẽ giúp giảm thiểu chi phí phát sinh. Thông thường mình thấy nhiều người sẽ bỏ qua mục giải trí mà chỉ đầu tư vào việc phát triển và tạo ra giá trị cho bản thân. Đối với mình, nhờ đầu tư nghiêm túc cho phần giải trí mà mình không bị phát sinh những nhu cầu không cần thiết khiến mình phải lo nghĩ cách kiểm soát hay gạt đi như thế nào. Được biết Thạch hiện đang là một Strategy Planner và đã đạt được một số thành công nhất định. Không biết với khả năng lên chiến lược tài tình, Thạch có bao giờ lập kế hoạch bài bản cho những mục tiêu tài chính của mình hay không? Thạch: Nói về thời gian mình bắt đầu lên kế hoạch tài chính cá nhân thì thật ra nó đã nhen nhóm từ năm mình học cấp 2, 3. Ngày xưa, ba mẹ mình đã cho mình một khoản tiền riêng để chi tiêu và hướng dẫn mình cách tiết kiệm làm sao để mua được món đồ mình yêu thích. Tư tưởng về một kế hoạch quản lý tài chính lúc đó trong mình đã dần được hình thành. Mãi cho đến khi mình bắt đầu đi làm và có thu nhập, mình mới thật sự nghiêm túc lên kế hoạch tài chính cho bản thân bằng cách tìm kiếm câu trả lời cho việc: “Tiết kiệm và đầu tư để làm gì?”. Tại thời điểm đó, mình mong muốn tiết kiệm để khi ra trường sẽ không bị áp lực về tiền bạc. Còn hiện tại mình tiết kiệm và đầu tư để sau này có đủ khả năng tài chính thực hiện những dự án khởi nghiệp của riêng mình. Với Phúc là một người có sở thích đi du lịch. Trong tương lai gần, khi du lịch được mở cửa và chúng ta được dần quay lại với cuộc sống bình thường mới. Phúc sẽ chuẩn bị một kế hoạch tài chính như thế nào dể phục vụ cho sở thích của mình? Phúc: Như mình đã chia sẻ lúc nãy là mình chia thu nhập thành 6 khoản. Tất nhiên, trong 6 khoản đó mình cũng dành một khoản 10% cho du lịch. Mình nghĩ là sắp tới đây với các khoản mình tích lũy được cho việc đi du lịch, mình sẽ sử dụng hết để đi đến những nơi xa, trải nghiệm những điều mới mẻ và gặp gỡ những con người thú vị. Sau đấy thì mình sẽ quay trở lại kế hoạch tích lũy như cũ. Xem thêm: https://redbag.vn/blog/quan-ly-tai-chinh-the-nao-de-thich-nghi-voi-trang-thai-binh-thuong-moi #quanlytaichinh #taichinhcanhan #redbag
Working in the Anime Industry: A Struggle
The Japanese Animation Creators Association just recently released the results of a survey taken in 2015 of over 750 different people working in the Anime industry in Japan. Coming from an American standpoint, where our entertainers are paid staggering amounts of money, you might think it would be similar for Anime creators, considering how popular the medium is. You'd be wrong. Here's a collected set of averages from Kotaku that shows the median salary for each different position in the creation of anime. Series Director Average Age: 42 years old Average Monthly Salary: 540,833 yen ($5,036) Average Yearly Salary: 6,490,000 yen ($60,437) Chief Animation Director Average Age: 43 years old Average Monthly Salary: 470,000 yen ($4,378) Average Yearly Salary: 5,640,000 yen ($52,521) Producer Average Age: 39 years old Average Monthly Salary: 451,667 yen ($4,206) Average Yearly Salary: 5,420,000 yen ($50,471) Character Designer Average Age: 38 years old Average Monthly Salary: 425,000 yen ($3,958) Average Yearly Salary: 5,100,000 yen ($47,491) Animation Director Average Age: 38 years old Average Monthly Salary: 327,500 yen ($3,045) Average Yearly Salary: 3,930,000 yen ($36,602) 3DCG Animator Average Age: 34 years old Average Monthly Salary: 320,000 yen ($2,980) Average Yearly Salary: 3,840,000 yen ($35,764) Episode Director Average Age: 41 years old Average Monthly Salary: 316,667 yen ($2,949) Average Yearly Salary: 3,800,000 yen ($35,391) Storyboarder Average Age: 49 years old Average Monthly Salary: 310,000 yen ($2,887) Average Yearly Salary: 3,720,000 yen ($34,647) Art Director (Background Art) Average Age: 35 years old Average Monthly Salary: 285,000 yen ($2,655) Average Yearly Salary: 3,420,000 yen ($31,864) Color Designer Average Age: 38 years old Average Monthly Salary: 278,333 yen ($2,593) Average Yearly Salary: 3,340,000 yen ($31,120) Cinematographer Average Age: 34 years old Average Monthly Salary: 265,833 yen ($2,476) Average Yearly Salary: 3,190,000 yen ($29,723) Production Assistant Average Age: 30 years old Average Monthly Salary: 257,000 yen ($2,394) Average Yearly Salary: 3,090,000 yen ($28,788) Key Animator Average Age: 36 years old Average Monthly Salary: 235,000 yen ($2,189) Average Yearly Salary: 2,820,000 yen ($26,271) Inbetween Checker Average Age: 35 years old Average Monthly Salary: 217,500 yen ($2,026) Average Yearly Salary: 2,610,000 yen ($24,314) Layout Artist/Rough Keyart Average Age: 38 years old Average Monthly Salary: 195,000 yen ($1,817) Average Yearly Salary: 2,340,000 yen ($21,800) Paint Staff Average Age: 26 years old Average Monthly Salary: 162,000 yen ($1,509) Average Yearly Salary: 1,950,000 yen ($18,167) 2nd Key Animation/Clean-Up Average Age: 27 years old Average Monthly Salary: 93,333 yen ($870) Average Yearly Salary: 1,120,000 yen ($10,434) Inbetween Staff Average Age: 24 years old Average Monthly Salary: 92,500 yen ($862) Average Yearly Salary: 1,110,000 yen ($10,340) The people at the top of the pyramid make the most; that's something we can understand universally. However, even at the highest salary, the numbers still pale in comparison to what series directors would be receiving here in the States. It only gets more depressing as you go down the list, where some of these positions mean that these employees are making less than minimum wage. Considering the amount of work and pressure these people are under, it's a little disheartening to see how little they earn for their efforts. So, maybe rethink your foray into the industry for now...