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Problem - Acrylic Painting

Acrylic on canvas.
made by me.
(Suicidal Thoughts Series)
Need solution.

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Ninja Art; Killer Kicks 101
In the image I have provided you can see the proper form of a classic round house kick. To start simply raise your knee up to your torso. As you kick twist your hips and unleash your attack. Be certain to have enough control not to pass the center of your body. It is important to bring your leg back in and return to your original stance after this or any other kick. This insures a safe finish in case you miss. A side kick is simallar to the round house. First start by raising your knee to your torso and then twist 90 degrees lifting your foot up to your knee. Stike using the ball of your foot then return to the twisted raised knee position. Twist back into the standard raised knee position and then return to your standard position. Next is the standard front kick. Like with the round house lift your knee to your torso then perform your kick. Try and hit with the ball of your foot. Once you have completed the kick bring your leg in and return to your stance. A crescent kick is much like the front kick and is useful for disarming opponents or surprising them. Bring up your knee and arc your kick either inward or outward depending on the situation. After completing the kick you should be in the standing position with your knee raised to your torso. From this you can kick again or return to your stance. The windmil kick is a little more difficult and less likely to see combat for beginers. Using your front foot twist around raising the other knee. As you return to facing your opponent unleash your kick. Do not cross over the center of your body. Once completed return to the position of one raised knee and then again to the starting position. Finally we have reached the back kick. Raise your knee as you would for any other kick and then begin to crouch forward. Unlease your kick while maintaining your balance. Then return to your starting stance. As you practice these kicks always start by lifting the attacking leg into the raised knee position. From there try to mix it up, you may need to change a kick in an instant so it makes for good practice. Also practice spinning 90 degrees from that stance to change directions. It seems silly but comes in handy and can be a real game changer.
An Indian-American artist: Zarina Hashmi
Zarina Hashmi, an Indian-American craftsman referred to expertly as 'Zarina,' spent a lifetime in brevity. Brought into the world in Aligarh, India, Zarina regularly went all throughout the planet, settling and resettling in Bangkok, Tokyo, Delhi, Paris, Los Angeles, and New York. Her craft connected essentially with the Minimalist development, utilizing woodblock prints of crosshatched lines and unidentified shapes. Continuously, however, Zarina returned again to the physical and enthusiastic characteristics of a home. Zarina's adolescence rotated around her family's home in Aligarh, a space that would move her for quite a long time to come. At ten years of age, Zarina encountered the Partition of India that split the previous British settlement into present-day India and Pakistan. However her family was briefly uprooted by the change, they before long got back to a level of dependability on the Indian side of the boundary. In any case, the Partition left an enduring effect, one that craftsmanship pundit Holland Cotter recommends "set her free from her underlying foundations and frequented her life and work." It was not until her mid-20s that Zarina artist started fostering her imaginative style and subjects. She acquired a degree in math, joined a flying club, and figured out how to see the value in city engineering from the stature of the mists. These encounters drew her toward Minimalism, then, at that point in its post-war early stages. Zarina took in printmaking methods from Stanley William Hayter in Paris and Toshi Yoshida in Tokyo while going with her ambassador spouse. Zarina started investigating the limit of printmaking, fostering her particular style in the wake of getting comfortable New York in the last part of the 1970s. She made prints with bits of driftwood, made three-dimensional models with the mash of her paper, and utilized her specialty to investigate subjects of confinement, movement, and home. Zarina additionally started breaking into a creative development that had recently been overwhelmed by men. Named House with Four Walls, each print was pushed on carefully assembled Nepalese paper and matched with lines of text. They recount a story that runs corresponding to Zarina's life: "Far away was a house with four dividersโ€ฆ On long Summer evenings, everybody dozed/One night we heard the owl in the trees/The one-looked at servant said/We would need to move far away." Each print coordinates with the expressions of the story, beginning with four unevenly-lined dividers that continuously merge into a dissonance of circles. The series was finished during a residency at the Women's Studio Workshop in New York. It is offered with a gauge of USD 12,000 โ€“ $18,000. Zarina art is available for sale online. In spite of her continuous moves and inevitable foundation in the New York workmanship and scholastic scenes, Zarina kept on returning to subjects of home and having a place in her work. She joined other contemporary craftsmen, like Mona Hatoum, in examining this misfortune. In a 2017 meeting with the Metropolitan Museum of Art, she thought about the job of misfortune in her life: "New York isn't my home, this is another person's home. I've lived here for a very long time yet my personality is essentially that of an outcast." Zarina Hashmi's Letters from Home 2004 Letters from Home series unites the individual and aggregate loss of home. A guide of Manhattan, the floor plan of a house, and strong dark lines overlay individual letters of misfortune composed by Zarina's sister. One Zarina Hashmi Letters from Home set arrived at GBP 50,000 (USD 64,800) at Christie's in 2014. The seven works, which opened the bartering, arrived at well past their high gauge of GBP 18,000 (USD 23,300). Costs for Zarina's craft have consistently move with the turn of the century, an example predictable with a developing worldwide appreciation for South Asian ladies specialists. A bunch of 22-karat gold leaf, paper, and ink pieces arrived at USD 53,625 at a 2014 Sotheby's sale only two years after its fruition. Late presentations at the Metropolitan Museum of Art, the Museum of Modern Art, the Guggenheim, and the Whitney Museum of American Art likewise helped Zarina's standing somewhat recently of her life. Zarina died recently after a long sickness. The craftsman who consistently prized her own recollections is presently recalled by her companions, associates, and admirers. Dr. Mariah Lookman, a craftsman and South Asian workmanship student of history, reviewed a long and noteworthy evening of discussion. "As Zarina strolled us to the entryway in standard old-world design, we made due with the nearest expression we need to try not to bid farewell in India and Pakistan; phir milenge: we will meet once more." To know the schedules of auctions of artworks of such artists see the auction calendar of auctiondaily. Media Source: AuctionDaily
๋น—์†์„ ๊ฑธ์–ด๋„ ์ –์ง€ ์•Š๋Š” <๋ ˆ์ธ ๋ฃธ> ์ „์‹œ ํ•œ๊ตญ ์ƒ๋ฅ™
๋ณด๊ณ  ๋“ฃ๊ณ  ๋Š๋ผ๋Š” ์ƒ‰๋‹ค๋ฅธ ์ „์‹œ๋ฅผ ์›ํ•˜๋Š” ๊ตฌ๋…์ž๋“ค์—๊ฒŒ ํฅ๋ฏธ๋กœ์šด ์†Œ์‹์„ ์ „ํ•œ๋‹ค. ๋ฒ ๋ฅผ๋ฆฐ ๊ธฐ๋ฐ˜ ์•„ํ‹ฐ์ŠคํŠธ ๊ทธ๋ฃน ๋žœ๋ค ์ธํ„ฐ๋‚ด์…”๋„(Random International)์˜ ๋Œ€ํ‘œ์ž‘ <๋ ˆ์ธ ๋ฃธ> ์ „์‹œ๊ฐ€ ๋ถ€์‚ฐ์— ์ƒ๋ฅ™ํ•œ ๊ฒƒ. <๋ ˆ์ธ ๋ฃธ>์€ 2012๋…„ ์˜๊ตญ ๋Ÿฐ๋˜ ๋ฐ”๋น„์นธ ์„ผํ„ฐ(Barbican Centre)๋ฅผ ์‹œ์ž‘์œผ๋กœ LA์นด์šดํ‹ฐ๋ฎค์ง€์—„(LACMA), ๋‰ด์š•ํ˜„๋Œ€๋ฏธ์ˆ ๊ด€(MoMA), ์ค‘๊ตญ ์œ ์ฆˆ ๋ฏธ์ˆ ๊ด€(Yuz Museum)์—์„œ ํญ๋ฐœ์ ์ธ ์ธ๊ธฐ๋ฅผ ๋ˆ„๋ฆฐ ๋ฐ” ์žˆ๋‹ค. 100ใŽก ๊ณต๊ฐ„์— ๋น„๊ฐ€ ๋‚ด๋ฆฌ๋„๋ก ์„ค๊ณ„๋œ ์ด ์ „์‹œ๋Š” ๊ด€๊ฐ๋“ค์˜ ์›€์ง์ž„์— ๋ฐ˜์‘ํ•˜๋Š” ์„ค์น˜ ๋ฏธ์ˆ  ์ž‘ํ’ˆ์ด๋‹ค. ๋‚ด๋ฆฌ๋Š” ๋น—์†Œ๋ฆฌ์™€ ๊ณต๊ฐ„ ํ•œ๊ฐ€์šด๋ฐ๋กœ ์Ÿ์•„์ง€๋Š” ์ŠคํฌํŠธ๋ผ์ดํŠธ๋ฅผ ํ†ตํ•ด ๋ณด์ด๋Š” ๋น—์ค„๊ธฐ๊ฐ€ ์••๋„๊ฐ์„ ์„ ์‚ฌํ•œ๋‹ค. ๋น—์ค„๊ธฐ๊ฐ€ ์Ÿ์•„์ง€๋Š” ์ด ๊ณต๊ฐ„์—์„œ๋Š” ๋น„๋ฅผ ๋งž์•„๋„ ์ –์ง€ ์•Š๋Š”๋‹ค๋Š” ๊ฒƒ์ด ์ž‘ํ’ˆ์˜ ๊ด€์ „ ํฌ์ธํŠธ๋‹ค. ์ฒจ๋‹จ ๊ธฐ์ˆ ์ด ์ ์šฉ๋œ ์„ผ์„œ๊ฐ€ ์‚ฌ๋žŒ์„ ๊ฐ์ง€ํ•ด ๋น—๋ฐฉ์šธ์„ ๋ฉˆ์ถ”๋„๋ก ์„ค์ •ํ–ˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๊ด€๋žŒ๊ฐ์ด ์ž‘ํ’ˆ ์†์œผ๋กœ ๋“ค์–ด๊ฐ€ ๋ณด๊ณ , ๋“ฃ๊ณ , ๋Š๋ผ๊ณ  ๋“ฃ๊ฒŒ ํ•˜๋Š” ์ž‘ํ’ˆ <๋ ˆ์ธ ๋ฃธ>. ๋ณธ ์ „์‹œ๋Š” ๋ถ€์‚ฐํ˜„๋Œ€๋ฏธ์ˆ ๊ด€์—์„œ ์˜ค๋Š” 8์›” 15์ผ๋ถ€ํ„ฐ ๋‚ด๋…„ 1์›” 27์ผ๊นŒ์ง€ ์ง„ํ–‰๋˜๋ฉฐ ์ž์„ธํ•œ ์ •๋ณด๋Š” ์•„๋ž˜์—์„œ. ๋ถ€์‚ฐํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๋ถ€์‚ฐ ์‚ฌํ•˜๊ตฌ ๋‚™๋™๋‚จ๋กœ 1191 ์ „์‹œ ๊ธฐ๊ฐ„ 8์›” 15์ผ ~ 1์›” 27์ผ ๊ด€๋žŒ ์‹œ๊ฐ„ ์›”-๋ชฉ / ์˜ค์ „ 10์‹œ ~ ์˜คํ›„ 6์‹œ (๊ธˆ,ํ†  ์˜คํ›„9์‹œ๊นŒ์ง€ ์—ฐ์žฅ ์šด์˜) ๋”ย ์ž์„ธํ•œย ๋‚ด์šฉ์€ย <์•„์ด์ฆˆ๋งค๊ฑฐ์ง„>ย ๋งํฌ์—์„œ