KeyvanShovir
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look deep inside yourself


As the#coronavirus#pandemictakes hold, we are isolating ourselves in our homes. It’s time to be#togetherand#supporteach other.also it is time to look deep in ourselves. To understand our#souland#sprit,#meditateand#meditation.
My mirror#geometicseries invites you to look deep inside yourself.
You are a part of this#artwork, and it will complete with you. We are just a small part of a bigger whole, and we complete each other.
“These pains you feel are messengers. Listen to them.”#Rumi.

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beautiful , what an amazing art
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Halawet El-Jibn (حلاوة الجبن), Dessert Rolls of Sweet Syrian Cheese
I love any Middle Eastern dessert that is made with sweet cheese and semolina, and this one is definitely high on the must-make list for all of you who might just be starting out making and learning about the desserts of the region. I love the little pockets filled with sweet Syrian cheese and just enough syrup to make this a very decadent dessert. If you don't live in close proximity to a Middle Eastern market, I will make sure to point out where you can make easy (and really common!) substitutions with ingredients from your local grocery store in the ingredients section. Halawet El-Jibn, Syrian Cheese Dessert Rolls (Makes around 12 rolls) INGREDIENTS: 1/3 cup butter 1/2 cup semolina 1/2 cup farina (Farina is the same thing as Cream of Wheat.) 1 pound fresh Syrian (Akkawi) or mozzarella cheese, sliced (You could also do a mix of mozzarella and ricotta cheeses.) 2 cups ashta custard (or marscapone cheese) 2 tablespoons pistachios, ground To make Attar (thin Arabic simple syrup) - 2 cups sugar 1 1/2 cup water 1 tablespoon lemon juice 1 teaspoon orange blossom water (or rose water), optional DIRECTIONS: 1) Start by making the simple syrup (also known as 'attar'). Mix the sugar and water and bring it to a boil. Add lemon juice and boil for 7 more minutes. When cool, add orange blossom water. 2) In a large pot over medium heat, cook butter, semolina, and farina for 3 minutes. Add 1 cup of attar to the pot, stir, and cook for 3 minutes. 3) Add mozzarella to the pot, and cook, stirring vigorously, for about 3 minutes or until cheese is melted. Pour 1/2 cup attar onto a baking sheet and spread out to coat all sides. 4) Pour cheese mixture onto the baking sheet, and using the back of a wooden spoon, spread out to the size of the baking sheet. Cool for 15 minutes. 5) Run a knife down the baking sheet lengthwise, making two cuts in the sheet and forming three columns. Then make three more cuts width-wise, so you have 12 equal-size pieces. 6) Place 3 tablespoons ashta custard or marscapone at one end of each piece, roll, place seam side down on a plate.To serve, sprinkle each piece with ground pistachios and a drizzle of the remaining attar syrup.
American Female Artist: Katherine Bradford
American Female Artist: Katherine Bradford When requested to depict her work in three words, American artist Katherine Bradford picked “sparkly peopled landscapes.” Taken at face esteem, this portrayal is exact. Bradford, however, thought to be an installation of both the New York and Maine craftsmanship scenes, isn't firmly lined up with any contemporary or verifiable workmanship development. Her status as a close outcast craftsman has permitted her to investigate a composition style dependent on feeling and memory than procedure. It presently fills in as scenery for conversations of social issues and individual encounters. Not at all like numerous creative, had Bradford never drawn in with craftsmanship during adolescence. Her mom debilitates it, connecting inventiveness to a way of life of liquor abuse and illicit drug use. Bradford spent her initial grown-up years following a more ordinary life way, thus, settling down with a spouse and two youngsters. She arrived at a limit in her 30s, notwithstanding, acknowledging during an essential lunch that she required both individual and expert change. "I would not like to be there for one more lunch. In this way, when individuals descended the carport to our home, I leaped out a window and hurried to my studio," she disclosed to Jennifer Samet of Hyperallergic in 2016. Katherine Bradford paintings for sale are available online. Following this second, Bradford started seeking after workmanship all the more genuinely. Having never gone to workmanship school or gotten formal preparation, her style developed naturally. Bradford's works started investigating predictable subjects, including swimmers, systems, and superheroes. She consistently utilizes delicate, dream-like tones and straightforward structures to investigate further thoughts regarding memory, experience, connections, and sexuality. "Bradford's figures are largely conventionally human yet solitary in their execution, as though they freaked out of the brush and arrived unpredictably… And covered up in her arrogant brushwork are astute and centered choices," composed Michael Frank Blair after the craftsman's display at the Modern Art Museum of Fort Worth, Texas. By the mid-2010s, Katherine Bradford artist had set up herself in the realm of contemporary workmanship. Seas, night skies, and approaching boats showed up in her work. Every one of the canvases introduced in the forthcoming closeout addresses these setup subjects. Sail Boat, a 2011 oil on the material piece, only proposes the state of its nominal subject. Drifting over a dull and indistinct structure is the sail, set marginally askew and hued in murky shades of rose and violet. Some time ago in a private Connecticut assortment, this work is offered with a presale gauge of USD 6,000 to $8,000. Another accessible piece, named Giant Stacks, pictures the overwhelming red smokestacks of a boat ($2,500 – $3,500). The foundations of this and comparative works have been compared to shading field painting, for certain segments getting back to back to Rothko. The most established Bradford painting in this sale is from 1995, an untitled turquoise and earthy colored piece that summons the natural eye ($800 – $1,200). Market revenue for Bradford's artistic creations has as of late got. By 2017, they started selling over their high gauges as opposed to passing unsold. One early green and dark gouache on paper painting came to $4,063 with Rago, surpassing its high gauge of $700 almost sixfold. During a new Phillips sell-off, held toward the beginning of March of 2020, her Couple on Purple acrylic painting sold for $12,500 after a gauge of $2,000 to $3,000. This pattern runs corresponding to a checked change in the nature and topic of Bradford's specialty. Her works have since quite a while ago filled in as "a mental placeholder, a holder for a felt or state of mind." Recent artistic creations presently overlay this with political analysis, unpretentiously investigating sex jobs, race, and passing. One of these 2019 pieces accomplished HKD 200,000 (USD 25,800) after 14 offers at Sotheby's Hong Kong this past May. Bradford's compositions are held in the lasting assortments of the Metropolitan Museum of Art, the Brooklyn Museum, the Portland Museum of Art, and others. She keeps on canvas, shows, and gives her work to different craftsman help assets and social causes. Biddings of such paintings are carried out on auctiondaily, for prior information visit the auction Calendar of auctiondaily. Media Source: AuctionDaily
Collection of Late Philanthropist Don Marron
The Wall Street Journal described three New York galleries as "longtime rivals" for selling the collection of late philanthropist Donald Marron. Pace, Gagosian, and Acquavella planned to privately sell over 300 works totaling US $450 million. Henri Matisse, Pablo Picasso, Ed Ruscha, etc. are among the artists included. How exactly the trio managed to pull it off, particularly with competition from Sotheby’s, Christie’s, and Phillips, may never be public knowledge. “The joy of private sales,” quipped Pace president Marc Glimcher. Many in the industry were surprised by this agreement. In recent news reports, three prominent auction houses were reported to have engaged in aggressive negotiations. The Wall Street Journal report noted that the houses guaranteed that at least $300 million would be paid for the paintings by Donald Marron's widow, Catie Marron. The auction house may be assertive because of its new owner, Patrick Dahi, and the need to make a big splash in its first year. Michael Plummer, the co-founder of Arvest Partners, saw potential in a Christie's partnership. According to a report that cites Pinault, "We know [Christie's owner François] and his family like taking risks on big deals." There are good reasons for the auction houses to be aggressive. According to Artnet Analytics, 35% fewer lots crossed the auction block in 2013 with an estimate above $10 million than in 2012. Additionally, many are concerned that Brexit, Coronavirus, and the upcoming US elections will continue to impact markets. The three New York galleries who won the rights to the collection are framing it as a critique of the auction model, which will make matters worse for auction houses. Glimcher said one of the main reasons the trio teamed up was to "make a point" about how galleries can compete with auction houses. Glimcher told the Wall Street Journal that the talk about numbers and bidding was uninspiring to [Catie Marron's widow]. “Private sales are private, and sometimes that’s an advantage.” A previous report from Artnet highlighted the conceivable procurement of Donald Marron's assortment by a significant sales management firm as motivation to anticipate a turnaround "from a genuinely fair 2019." Now, those expectations lie in the assortment of land big shots Harry and Linda Macklowe, whose separate from procedures prompted a court-requested offer of their assortment, worth an expected $700 million. Artnet anticipates that those pieces should go to sell as right on time as spring. In the interim, Pace, Gagosian, and Acquavella get ready for the offer of Don Marron's 300+ piece assortment. The threesome will have an occasion on April 24th, observing Marron's achievement. In spite of the fact that it is indistinct which compositions or drawings will feature the occasion. Furthermore, the exhibitions likewise are not precluding the chance of selling a few pieces before that date. They can't bear to sell the assortment gradually. Among a couple of subtleties, we think about the association is that Pace, Gagosian, and Acquavella consented to purchase any piece from Catie Marron that they can't sell. "It was a large chunk of change, so we need to convey—we can't send any works back to her," Bill Acquavella of Acquavella Galleries told the Wall Street Journal. Be that as it may, while it is a tumultuous time for the exhibitions, it is additionally a significant second to respect the memory of Don Marron. Marron established the Wall Street firm D.B. Marron and Co. in 1959. His initial gathering enthusiasm lay in Hudson River compositions. In any case, he developed to see the value in more present-day pieces as time passed by. He proceeded to assist PaineWebber for more than 20 years with their assortment as the organization's administrator. What's more, he filled in as the leader of the Museum of Modern Art, where he likewise gave pieces from his assortment. He passed on of a coronary failure last December, matured 85. Media Source: AuctionDaily