cheerfulcallie
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Dew Covered Purple Flowers

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God's beautiful creation makes me appreciate His Love for us even more!
@dillonk babe noo...you're speaking foreign to me, I know nothing abt photography but I do admire and appreciate beautiful artwork.
@cheerfullcallie This camera has a extremely fulfilling aesthetic that I think lends itself to the subject and composition of this image. Really lovely. Do you know what type of camera that was used?
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Pinus durangensis - Durango pine, Pino blanco, Pino real (Spanish)
Conservation Status Red List Category & Criteria: Near Threatened The large extent of occurrence and the area of occupancy based on comprehensive locality sampling and a grid width of 10 km because this is a forest forming species, both place it outside a threatened category. However, exploitation has reduced formerly “extensive pure forests in Durango and southern Chihuahua… to only scattered, open stands over most of its range” (Perry 1991). It is therefore listed as Near Threatened as it nearly meets the criteria A2cd; B2ab(ii,iii,v) for listing as threatened. Although this decline has not ceased there is insufficient data to allocate one of the threatened categories. The change in status since the previous assessment of Least Concern, can therefore be seen as a genuine recent change. Populations have been substantially reduced within the last 25 years due to exploitation, fires and forest clearance. The decline is ongoing. In the Sierra Madre this species is an important constituent of the 'yellow pine' forest, where it occurs in pure stands or mixed with several other species of pine, e.g. Pinus arizonica, Pinus leiophylla, and Pinus engelmannii, or in pine-oak forests. This pine is adapted to grow on shallow, rocky soils, but its better stands are found on deeper soils, where it can successfully compete with most other pines. The soils are mostly derived from volcanic rock. At the highest elevation Pinus durangensis occurs with Abies and/or Cupressus lusitanica, at the lowest with Juniperus deppeana and Pinus oocarpa. Other pines are Pinus montezumae, Pinus teocote and in the southern part of its range Pinus ayacahuite can occur with it. In addition this species is associated with Quercus sideroxyla, Quercus rugosa, Pinus ayacahuite and Pseudotsuga (Garcia and Gonzalez 2003). Durango pine is an important timber tree. It grows straight and tall and is (or was) abundant and wide spread in many areas within its range. Logging from natural stands at the current rate is unsustainable and plantations are now being attempted in the state of Durango. The timber is used for construction such as roof beams, general carpentry, furniture, floors, and plywood. This species is virtually unknown in horticulture. https://conifersgarden.com/rare-conifers/pinus-durangensis
10 Secrets That Experts Of Dog Photography Don’t Want You To Know
Dog photography is a popular photographic medium nowadays. This might be a picture of your furry friend for your Instagram feed. Or a professional drawing at a dog show. Knowing how to photograph dogs is a great way to practice Photography in general. You don’t need your own dog photo studio to take great pictures. Read all the ten secrets information you need to do Photography. Focus Your Dog Character For Photography Taking Photography of dogs makes a lot of sense if you can focus/capture their behaviour in a photo. It’s fun to enjoy a popular activity, such as taking Photography of dogs in their favourite spots, tapping on the porch, or grabbing a Frisbee. To capture a dog’s character, ask yourself what is unique about your dog and try to capture that character in front of the camera. Use A Lens Fast For Dog Photography. Dogs don’t stay! Wink, you’ll miss their paradox, so it’s essential to use a faster lens and a faster shutter speed. My go-to lens is a 70-200mm f2.8 telephoto lens that is fast enough to freeze motion on that all-important shot, and you can zoom in and out quickly if needed. It also draws well in the background when taking photos. Base lenses are also great – 50mm or 85mm works well. Make sure you open your roller shutter. Of course, opening the shutter will give you faster shutter speeds and fantastic bokeh. But it can also obscure parts of your subject’s face. Use Dog Photography Natural Light. You don’t have to worry about flashes and complicated lighting settings when shooting dogs Photography. The best option is to use natural and constant light; this won’t scare them or make red eyes on your photos. https://www.clippingpathclient.com/dog-photography/ Whether you use ambient or studio lighting, the general rule is to choose bright, diffuse lighting that will help create a more pleasing portrait. If you’re in a slightly darker environment or your puppy doesn’t respond well to bright light, you can always increase the ISO for faster action shots, even in dark weather. High ISO, you can shoot quickly! When taking photos outdoors, sunny weather is ideal for balanced, diffused lighting. A sunny day is more challenging to take pictures than a sunny day, so don’t worry if the weather is sunny. Focus On The Dog’s Photography Eyes Your dog’s eyes should become the focus of your Photography. As humans, we are well connected with eye contact. Please focus on the dog’s eyes and use them to your advantage for dog photos. This, of course, draws the viewer’s attention to the subject. Focus on the eyes first, then reset focus as needed and apply the method again. The moving picture of a dog gets attention. It’s like a picture of a man. You can use your eyes to create depth, an unusual eye colour, or to create a sense of privacy. Use a wider aperture (f / 2.8 or less) to improve this feel! https://www.clippingpathclient.com/car-photography/ Add People To Dog Photography. The best photo of the dog alone or the owner is a classic photo. Use automatic lighting to prevent lightning from disturbing animals. The standard 50mm lens is ideal for this type of image. Shallow DOF (Depth of Field) focuses on the object in the centre of the frame, so keep your eyes focused. Remember to live fast when taking photos like this, as animals can quickly get into trouble if they take photos outdoors. Choose An Excellent Background For Dog Portrait Photography The background of the frame is as important as your content. Get a beautiful background in a different colour from the dog. Tree trunks, wood, gates, benches, bricks, and doors make beautiful backgrounds or frames for photographing dogs.
Collection of Late Philanthropist Don Marron
The Wall Street Journal described three New York galleries as "longtime rivals" for selling the collection of late philanthropist Donald Marron. Pace, Gagosian, and Acquavella planned to privately sell over 300 works totaling US $450 million. Henri Matisse, Pablo Picasso, Ed Ruscha, etc. are among the artists included. How exactly the trio managed to pull it off, particularly with competition from Sotheby’s, Christie’s, and Phillips, may never be public knowledge. “The joy of private sales,” quipped Pace president Marc Glimcher. Many in the industry were surprised by this agreement. In recent news reports, three prominent auction houses were reported to have engaged in aggressive negotiations. The Wall Street Journal report noted that the houses guaranteed that at least $300 million would be paid for the paintings by Donald Marron's widow, Catie Marron. The auction house may be assertive because of its new owner, Patrick Dahi, and the need to make a big splash in its first year. Michael Plummer, the co-founder of Arvest Partners, saw potential in a Christie's partnership. According to a report that cites Pinault, "We know [Christie's owner François] and his family like taking risks on big deals." There are good reasons for the auction houses to be aggressive. According to Artnet Analytics, 35% fewer lots crossed the auction block in 2013 with an estimate above $10 million than in 2012. Additionally, many are concerned that Brexit, Coronavirus, and the upcoming US elections will continue to impact markets. The three New York galleries who won the rights to the collection are framing it as a critique of the auction model, which will make matters worse for auction houses. Glimcher said one of the main reasons the trio teamed up was to "make a point" about how galleries can compete with auction houses. Glimcher told the Wall Street Journal that the talk about numbers and bidding was uninspiring to [Catie Marron's widow]. “Private sales are private, and sometimes that’s an advantage.” A previous report from Artnet highlighted the conceivable procurement of Donald Marron's assortment by a significant sales management firm as motivation to anticipate a turnaround "from a genuinely fair 2019." Now, those expectations lie in the assortment of land big shots Harry and Linda Macklowe, whose separate from procedures prompted a court-requested offer of their assortment, worth an expected $700 million. Artnet anticipates that those pieces should go to sell as right on time as spring. In the interim, Pace, Gagosian, and Acquavella get ready for the offer of Don Marron's 300+ piece assortment. The threesome will have an occasion on April 24th, observing Marron's achievement. In spite of the fact that it is indistinct which compositions or drawings will feature the occasion. Furthermore, the exhibitions likewise are not precluding the chance of selling a few pieces before that date. They can't bear to sell the assortment gradually. Among a couple of subtleties, we think about the association is that Pace, Gagosian, and Acquavella consented to purchase any piece from Catie Marron that they can't sell. "It was a large chunk of change, so we need to convey—we can't send any works back to her," Bill Acquavella of Acquavella Galleries told the Wall Street Journal. Be that as it may, while it is a tumultuous time for the exhibitions, it is additionally a significant second to respect the memory of Don Marron. Marron established the Wall Street firm D.B. Marron and Co. in 1959. His initial gathering enthusiasm lay in Hudson River compositions. In any case, he developed to see the value in more present-day pieces as time passed by. He proceeded to assist PaineWebber for more than 20 years with their assortment as the organization's administrator. What's more, he filled in as the leader of the Museum of Modern Art, where he likewise gave pieces from his assortment. He passed on of a coronary failure last December, matured 85. Media Source: AuctionDaily
Ait Ben Haddou Kasbah
The ksar, a group of earthen buildings surrounded by high walls, is a traditional pre-Saharan habitat. The houses crowd together within the defensive walls, which are reinforced by corner towers. Ait-Ben-Haddou, in Ouarzazate province, is a striking example of the architecture of southern Morocco. Located in the foothills on the southern slopes of the High Atlas in the Province of Ouarzazate, the site of Ait-Ben-Haddou is the most famous ksar in the Ounila Valley. The Ksar of Aït-Ben-Haddou is a striking example of southern Moroccan architecture. The ksar is a mainly collective grouping of dwellings. Inside the defensive walls which are reinforced by angle towers and pierced with a baffle gate, houses crowd together - some modest, others resembling small urban castles with their high angle towers and upper sections decorated with motifs in clay brick - but there are also buildings and community areas. It is an extraordinary ensemble of buildings offering a complete panorama of pre-Saharan earthen construction techniques. The oldest constructions do not appear to be earlier than the 17th century, although their structure and technique were propagated from a very early period in the valleys of southern Morocco. The site was also one of the many trading posts on the commercial route linking ancient Sudan to Marrakesh by the Dra Valley and the Tizi-n'Telouet Pass. Architecturally, the living quarters form a compact grouping, closed and suspended. The community areas of the ksar include a mosque, a public square, grain threshing areas outside the ramparts, a fortification and a loft at the top of the village, an caravanserai, two cemeteries (Muslim and Jewish) and the Sanctuary of the Saint Sidi Ali or Amer. The Ksar of Ait- Ben-Haddou is a perfect synthesis of earthen architecture of the pre-Saharan regions of Morocco. Criterion (iv): The Ksar of Ait-Ben-Haddou is an eminent example of a ksar in southern Morocco illustrating the main types of earthen constructions that may be observed dating from the 17th century in the valleys of Dra, Todgha, Dadès and Souss. Criterion (v): The Ksar of Ait-Ben-Haddou illustrates the traditional earthen habitat, representing the culture of southern Morocco, which has become vulnerable as a result of irreversible socio-economic and cultural changes Integrity (2009) All the structures comprising the ksar are located within the boundaries of the property and the buffer zone protects its environment. The earthen buildings are very vulnerable due to lack of maintenance and regular repair resulting from the abandonment of the ksar by its inhabitants. The CERKAS (Centre for the conservation and rehabilitation of the architectural heritage of atlas and sub-atlas zones) monitors, with difficulty, respect for the visual integrity of the property. Authenticity (2009) In comparison to other ksour of the region, the Ksar of Ait-Ben-Haddou has preserved its architectural authenticity with regard to configuration and materials. The architectural style is well preserved and the earthen constructions are perfectly adapted to the climatic conditions and are in harmony with the natural and social environment. The large houses in the lower part of the village, with well conserved decorative motifs, are regularly maintained. The construction materials used still remain earth and wood. The inclination to introduce cement has so far been unsuccessful, thanks to the continued monitoring of the «Comité de contrôle des infractions» (Rural Community, Town Planning Division, Urban Agency, CERKAS). Only a few lintels and reinforced concrete escaped its vigilance, but they have been hidden by earthen rendering. Particular attention is also paid to doors and windows giving on to the lanes, to ensure that the wood is not replaced by metal. Protection and management requirements (2009) Protection measures essentially relate to the different laws for the listing of historic monuments and sites, in particular the Law 22-80 concerning Moroccan heritage. The Ksar of Ait-Ben-Haddou currently has a five-year management plan (2007-2012). This management plan is the result of two years of reflection and workshops involving all the persons and institutions concerned with the future of the site, in particular the local populations. The recommendations of this plan are being implemented. Furthermore, two management committees have been established (a local committee and a national one) in which all the parties are represented and cooperate in decision-making. As well as managing the property, CERKAS ensures coordination in the implementation of this management plan. visit our site for more informations...