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Blackwell Auctions A family-operated auction house


Blackwell Auctions, LLC is a family-worked business claimed by Edwin Blackwell Bailey and Shannon Bailey. The name originates from Edwin's incredible, extraordinary granddad, Blackwell Bailey. Blackwell Auctions is becoming known for cautiously choosing unmistakable things for its deals, going from artistic work, gems, militaria, coins, and stamps, to furniture, authentic silver, and then some. Single things, assortments, and domains are bought or acknowledged on credit.

Florida Antiques
At the point when Alfred R. Frankel initially moved to Hollywood, Florida, from Brooklyn, New York, in 1949, he found a tropical express that was still generally unseen and immaculate. He depicts the "tropical blossoms, hibiscus, coconut palms… football on Friday evenings close to full tomato fields, submarine races at Dania Beach–the entirety of this sank into my inner mind, and I was glad." Nurturing an enthusiasm for workmanship, Frankel would ultimately turn into the main authority of Floridian craftsmanship and stylistic theme.
Headed to help the craftsmen and makers of Blackwell auctions Florida, Frankel would proceed to report their accounts in a few history books. The main parcel of this bartering, a salt-coated pitcher from the 1850s, is one of just two known enduring models; the other, claimed by the territory of Florida, is examined in one of Frankel's books. The pitcher was made by Turnley and Odom Pottery, a firm that was distinctly inactivity for a year prior to shutting during the Civil War.

Blackwell Auctions Rare Hummel Figurines to Life
The now-famous Hummel dolls weren't constantly made in porcelain. They were first presented in Germany and Switzerland as drawings by Sister Maria Innocentia Hummel in the Blackwell auction. It was just later that Franz Gobel, a porcelain producer, transformed these drawings into porcelain dolls. The ubiquity of the dolls soar after World War II when American officers positioned in West Germany began sending them as gifts to their friends and family. The doll was made as an example in 1948 and was a careful multiplication of Sister Hummel's initial portrayals. Additionally included is a puppet made for the 2000 Goebel Celebration in Disney World. Models, exceptional pieces, and some unique fine arts by Sister Hummel are additionally at a bargain.

Scarce 1850s lithograph of Black musician
A prewar lithograph of an African-American artist. The first, named "The Bone Player," was painted by New York craftsman William Sidney Mount (American, 1807-1868) in 1856, a couple of briefs a very long time before the Civil War would — to sum up Lincoln — test the strength of a country established on and committed to racial uniformity.
The lithograph can appropriately be called uncommon for a few reasons.
To begin with, according to a market viewpoint, there have all the earmarks of being not many instances of The Bone Player (other than the first, which hangs in the Museum of Fine Arts in Boston). The solitary other period rendition of the litho found online lives in the super durable assortment of the Metropolitan Museum of Art in New York.

The lithograph is uncommon additionally according to the viewpoint of craftsmanship history. Only before the Civil War, Mount was drawn closer by William Schaus, New York specialist for French craftsmanship distributer Goupil, Vibert, and Cie. The firm organized five of Mount's works — three charged straight by Goupil — to be replicated by lithograph in Paris and distributed for overall dissemination. The lithography was finished by French craftsman Jean-Baptiste Adolphe Lafosse. Every one of the five pieces was a picture of youngsters, four of whom are dark. Goupil sold its lithographs all over Europe, and Mount was purportedly the lone American craftsman addressed in the distributer's index. For a period, it shows up, he was the most renowned living American painter taking everything into account, frequently the lone American referenced in reviews of what was then viewed as contemporary workmanship.
Media Source: AuctionDaily
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숨겨두고 싶은 빈티지 커스텀 맛집, 'Like Likes Like,'
한 번도 못 본 사람은 있어도 한 번만 본 사람은 없다는 편집숍 때는 작년 가을, 인스타그램 팔로워의 피드를 둘러보다 우연히 발견한 커스텀 편집숍, ‘Like Likes Like,’. 미국 그림동화 작가 크리스 라쉬카(Chris raschka)의 그림책 ‘Like Likes Like’에서 이름을 따온 이 편집숍은 국내에서 보기 드문 염색 기법을 주무기로 내세우며 다양한 디테일이 가미된 빈티지 커스텀 아이템을 폭넓게 선보이고 있다. 세상에 둘도 없는 단 하나뿐인 나만의 고유한 아이템을 가질 수 있다는 것. 바로 이것이 커스텀 아이템의 묘미이자, ‘Like Likes Like,’를 주목해야 하는 이유다. 자신만의 개성을 중요시하는 요즘 소비자들에게는 더할 나위 없는 쇼핑 창구가 되어줄 터. 봄기운이 만연한 어느 날 <아이즈매거진>이 인천 구월동 골목길에 나지막이 자리 잡은 ‘Like Likes Like,’의 오프라인 쇼룸으로 향했다. 지하 2층, 널찍하게 트인 공간으로 구성된 ‘Like Likes Like,’ 쇼룸. 먼저, 입구에 들어서자마자 간결하게 정리된 매장 디스플레이가 시선을 사로잡았다. 알록달록 색색이 물든 다채로운 빈티지 커스텀 아이템들의 향연을 시작으로, 매장 한편에는 엄선된 셀렉팅을 거친 빈티지 아이템들도 만나볼 수 있었다. 자고로 빈티지 아이템은 고르는 재미 아닌가. 이들은 단순한 커스텀 편집숍에서 더 나아가 자체 제작 상품으로 브랜딩을 강화하겠다는 포부도 내비쳤다. 첫 자제 제작 상품은 로고 크루넥 스웨트 셔츠. 세탁 후 수축과 뒤틀림을 막기 위하여 덤블 워싱과 텐타 가공을 진행했으며, 넥 라인과 암홀, 밑단에 커버 티치를 넣어 내구성을 높였다고 한다. ‘Like Likes Like,’의 백미라 할 수 있는 액세서리 커스텀. 색다른 디자인의 스니커를 찾고 있다면 블리치(탈색) 기법으로 새 단장을 마친 제품들을 눈여겨보자. 현재 구매 가능한 커스텀 슈즈는 나이키(Nike) 매치 슈프림, 컨버스(CONVERSE) 척테일러 70 등. 단, 커스텀 슈즈는 랜덤 사이즈로 제작되기 때문에 신중하고 빠른 구매 결정이 필요하다. 고민하는 찰나의 순간 품절이 될 수도 있으니. 심심한 룩에 유니크한 포인트를 주고 싶다면 핸드 스티치와 페인트로 표면을 거칠게 표현한 헤드웨어는 어떨까. 제품 리스트는 캉골(Kangol) 헌팅캡, 슈프림(Supreme) 캡 등이 있다. " 우리의 감성과 애티튜드를 조금씩 옷에 반영하여 우리가 만든 옷을 입는 사람들 모두 서로 닮아가길, 나아가 우리만의 문화를 만들어 나아가길 바랍니다. " Like Likes Like, 쇼룸 인천 남동구 인하로543번길 12 우성빌딩 B02호 더 자세한 내용은 <아이즈매거진> 링크에서
Barbie Scores Big Time With Zendaya Inspired Barbie Doll
Kudos to Mattel for recognizing true beauty. It wasn't that long ago that Zendaya was getting ridiculed for her 2015 Oscar's look consisting of a gorgeous dress and a head full of faux dreadlocks. While some believed the Disney star looked absolutely stunning, others including Giuliana Rancic [see clip here] had a lot to say. Rancic took to televisions popular Fashion Police mentioning that the young star "looked as if she'd smell like weed and patchouli oil" and let's just say the controversy was in the media for awhile. Zendaya was honored at the Rock 'N Royals concert this past Saturday benefitting VH1's Save The Music Foundation in Los Angeles. It's so amazing that it hasn't even been one full year since the comment sparked controversy and the creator of Barbie has taken a negative and turned it into a positive creating a replica Barbie of Zendaya's Oscar look. Talk about an amazing moment in history. There have been a couple previous African American women who had a Barbie created after them including both Brandy and Raven Symone, but there is something extremely liberating about this Zendaya Barbie. Maybe it's the fact that it's a way to say society doesn't know beauty or maybe it is a memorable reminder that with every negative comes a positive. According to Zendaya, the doll means so much more than just a commemoration of her popular outfit. She says, "When I was little, I couldn't find a Barbie that looked like me, my ... how times have changed."
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Etel Adnan: A Syrian-American visual artist
A painter and writer, Etel Adnan's vocation have proceeded into her nineties. Local to Beirut, Lebanon, Adnan spent numerous years living and instructing in California's Bay Area. In spite of the fact that most popular for her sonnets and works of analysis, Adnan's visual language has outgrown her composition and is perceived today in its own right. Born in 1925, Adnan contemplated a stylish way of thinking of the Sorbonne in Paris, setting herself up to one day show the way of thinking of craftsmanship at the University of California, Berkeley. She didn't make her own work for a long time, nonetheless, concentrating on composition. Under the tutelage of a partner, Ann O'Hanlon, she, at last, started painting utilizing just a range blade. She took a prompt jumping at the chance to the training. Adnan was particularly keen on the wonderful idea of her tones, investigating similar set in practically every last bit of Etel Adnan art. Two of her works came into auction in the Contemporary Curated sale, presented by Sotheby’s and guest-curated by Margherita Maccapani Missoni. Her composing regularly investigates hazier subjects than her visual work, tending to issues of war and woman's rights in the Arab world. The Poetry Foundation depicts the "… unforeseen and test methods [she uses] to address the idea of an outcast and political, social, and sex-based bad form." Adnan's compositions both interface with and stand separated from her composed evaluates. Etel Adnan paintings are famous worldwide. In a meeting with the San Francisco Museum of Modern Art, she associated her two supported mediums: "Fundamentally, I came to painting from verse. That was my first articulation. Verse, it's on schedule, it's each line in turn. Painting… it resembles a lightning strike." Adnan's visual work investigates the excellence of Northern California in a Modernist style. She utilizes delicate tones and interwoven examples to inspire mountains, suns, and scenes. Adnan has been especially attracted to Mount Tamalpais, a top in Marin County, California. Its shape repeats in her canvases, including those she makes from memory today. Even though since a long time ago perceived for a fruitful French epic and her composed fights against the Lebanese Civil War, Adnan's visual work has as of late acquired consideration. Mary Sabbatino has addressed Adnan at Galerie Lelong since 2014 and takes note of the increment in prominence: "When she was picked for Documenta [in 2012], everybody abruptly 'found' her. Be that as it may, she wasn't found; the scene at long last coordinated her accomplishments." The documents show is held like clockwork in Kassel, Germany. It highlights contemporary workmanship and runs for 100 days. Carolyn Christov-Bakargiev, the show's chief, saw Adnan's work two years before the 2012 occasion and offered her a huge spot in dOCUMENTA (13). Since that presentation, Adnan's work has been shown at the Whitney Biennial in New York, at a lady-centered show at the Museum of Modern Art, and the Serpentine Galleries in London. Know such lady-centered artists and other with their works for auction at auction calendar of auctiondaily. The sale business has likewise mirrored Adnan's rising presence on the lookout. Since 2017, her oil compositions have routinely sold for USD 30,000 or more. Galerie Lelong sold unique Adnan pieces for up to USD 54,000 at Art Basel in 2018. Most as of late, an untitled work from the last part of the 1980s sold for GBP 62,500 (USD 77,000) at Sotheby's in late March 2020. The last cost for that oil on material piece was over the high gauge of GBP 60,000. Both of Adnan's works accessible in the impending sale were executed during the 1980s, one a pastel representation of Mount Tamalpais and the other a theoretical portraying endorsed in Arabic. The previous work stresses a dainty white blueprint of the mountain. The foundation is filled in with olive green, aside from an orange sun and a water smirch in the sky. Appraisals for the two pieces range from GBP 7,000 – 9,000. Presently very nearly 100 years of age, Adnan stays dynamic in both her composition and painting. "I'm mindful that time is running low, that any work might be the last one," she says from her Paris studio. "I live with an extraordinary sensation of desperation." The craftsmanship world has reacted in kind throughout the most recent ten years, progressively offering instances of the writer craftsman's work. Media Source: AuctionDaily
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