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Anyone play Acoustic Bass?

I got my acoustic bass after i decided that i really liked the sound of them. I want to know if anyone else plays an acoustic bass. If anyone does, what's the model and is it your first one? This acoustic is a Breedlove and this is my one and only acoustic bass.
coolllll :-)
I wish I've never played one but want to
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My friend Chris Loe was in the depths of chemotherapy induced depression when he called me and instead of asking me to give him a pep-talk or talk to him about how I beat a deadly form of cancer myself (the usual topic of our conversations); he told me he needed to get his mind off of everything and could I distract him with any stories I had from the interviews I conduct with famous musicians. This wasn't like him at all. I heard the fear and the near panic in his voice. I did what he asked. I had just shot an interview with legendary bassist Doug Wimbish (Living Colour, The Rolling Stones, Mick Jagger, Mos Def, Annie Lennox, Depeche Mode, James Brown, and countless others). Doug was one of his biggest influences as a musician and he owned a signature Doug Wimbish bass at the time. I told him all about the interview and my conversations with Doug. Doug Wimbish is a musician's musician, a true gentleman and mentor, he's a rock star and sincerely one of the kindest, nicest, most professional and gifted people I've ever met. Towards the end of the call I could tell Chris was feeling a little better. I asked him how his treatments were going, how his wife and kids were holding up. He broke down into tears and said he worried at times that he was just not special enough to make it. It broke my heart. How do you tell someone in that horrible situation that they do matter? Chris was a music teacher who has taught and nurtured countless young musicians. I got an idea... I got on the phone to every musician I knew. I emailed those I couldn't reach. I briefly told them about Chris, a teacher, a father, a truly giving and loving person, and how as our brother in music, he needed us. I asked that each musician simply write a quick note on a sheet of paper. Something simple, like "You Will Win"- and take a photo of themselves performing or in the studio or where-ever - with that image. I then planned on putting them on a webpage as a surprise for Chris, to show him that he has made a difference and he does matter. I asked Doug Wimbish if he could do one of these photos, to which he immediately responded "Absolutely!" He was in the middle of recording a new Living Colour album while he was touring with Ms. Lauryn Hill. He had no free time and was exhausted when I spoke with him. A week went by and I started getting emails with photos... from Dirty Ray (Bret Michaels Band), Alex Webster (Cannibal Corpse), Abe Millet (Third Eye Blind), Dave Moody (Billy Ray Cyrus), Actress and Musician Jessica Pimentel (Orange is the New Black), Marty O'Brien (Methods of Mayhem, We Are The Fallen), and many, many more. But nothing from Doug. I hated bothering him, knowing how busy he was, so I sent his wife a quick email. I knew how amazing a photo from Doug would be for Chris. It was 3am on East Coast when Doug texted me and said he had just sent me an email. What he sent me - blew me away. He sent a video instead of a photo. In the video he told Chris to keep fighting and once he was better, he invited Chris to come to a Living Colour concert as his guest and join the band on stage. Doug was exhausted and I could tell he was dead tired - but he took the time to make a video for Chris. To see the page I created and the professional musicians who contributed photos and videos to show Chris support (over 80) - visit this page -
I'm learning to play the guitar. Help?
For most of my life, music has been the thing that I am most passionate about. For most of my life, I have convinced myself that I am incapable of actually making any music of my own. But for a brief (and ill-fated) foray into the universe of the piano in my early teens, I've never been able to do much of anything with instruments. Which is odd, because I know that I have a really good ear for music - at least, that's what I pride myself on. And when I talk to people about music, it eventually comes up that I don't know how to play a damned thing, and I get embarrassed. So I'm putting an end to that. This is a public declaration: I am learning to play the guitar. There. I said it. Now, I have no choice. People are watching. Right? I can't really say why it's taken me so long to realize this, but the reality is that while I say I have no musical ability, I haven't actually ever tried. Yes, I played the piano for a few years. But I hated it, because that's not the kind of music that I like. The guitar is. I dug out my mom's old guitar - the one she claims to have bought some time in the mid-'70s - and started familiarizing myself with it. I'm taking it slow - I literally don't have the first idea of what to do. I found an online class (thank you internet) that I'm hoping will do a good job at teaching me. I started to learn the language and posture last night, just sitting on the floor with the guitar in my lap. When I first picked it up, I felt so uncomfortable, so awkward. I couldn't get my arms right. But after only half an hour, it started to feel more natural. Sure, my back hurt a little from being in a strange, unfamiliar position, but the guitar started to feel OK in my hands. And I learned how to hold a pick. And what a fret is. It was an encouraging, if slow, start. I'm committed to this. It's going to be hard, and I may not be ready to play a single note for a week. But I know that things like this take time, and I'm prepared to dedicate some real hours to figuring it out. I don't have an end goal, outside of just being able to competently make some sounds with a guitar. That's all I want - and if I can get there, I'll be one happy man. Suggestions? Does anyone have a good website with tricks and tips? Or any pointers of your own? Anything and everything helps! I'll keep you guys posted!
Guitar Photography Challenges - White Guitars
Cat in the photo aside - the challenges of shooting a white object in any situation can test even a seasoned photographer. Shooting in any digital format completely complicates the situation for digital is prone to blowing out (losing detail) in hot/white areas. A good rule of thumb - which I learned in cinematography school ( I was fortunate to have learned both digital and film - I went to school just as the digital technology was gaining momentum in the film industry) - that rule is if shooting film it's better to slightly over-expose than under-expose and digital is the opposite; it's better to under-expose than over-expose. Film needs light to make the halides react and capture an image. Over exposed film can be pulled back down. Digital technology's main weakness is the loss of detail if the sensor is over-exposed. It's easier to pull under-exposed digital images up - noting that you're going to get a lot more grain and color artifacts - than to work with an image that was over-exposed because with digital an over-exposed image has NO detail to work with. I use an incident meter for reading the light in studio instead of my camera's spot meter. The difference between a spot meter (which meters the light reflected from one area of the subject you are shooting) and an incident meter (which reads the amount of light falling on the subject from the light source) - is that reflected light is affected by the color, texture, and position of the object it is read from and an incident meter will give you a general reading of the light all around the subject. This is very handy for lighting a green screen, which must be uniformly lit. Think of the incident meter as giving you a great average place for your camera settings - to ensure you'll get the best (most "normal") exposure. BTW - "Normal Exposure" is a photography term - an image which is shot with normal exposure will have details in the brightest and darkest areas of the frame. No black shadows without detail, no bright highlights without detail. Another MAJOR consideration is shadows. You can mask the shadows from the bridge and knobs on a guitar that's stained or finished in a darker color. But white? It's nearly impossible to shoot the image without some shadows (unless the guitar is inside a light box). By shooting the image with the incident meter I get a medium point for exposure where I won't blow the whites out or get the dark areas too murky - and this makes cleaning the guitar up in Photoshop much easier. The last thing to consider is the purpose of the photos... if you are shooting them for a catalog, you want straight, clean, non-distorted images. In this application I use a 50mm lens with zero distortion along the edges. I center the lens at 90 degrees from the plane of the fingerboard/neck - and I place the lens in the center of the guitar - usually around 5 inches above the neck/body joint. If you are shooting images for a magazine (editorial) or a coffee table book - then you may choose to augment the unique design features of the guitar's design. I shot these photos for a book on vintage/classic guitars. For this reason I chose to use the shadows to bring out design details such as the joint between the neck and the body and the "Made in USA" stamp which is gently indented into the wood under the finish on the back of the headstock. Lastly I chose to use a Panagor Macro Adaptor (it fits onto the camera and the lens attaches to it - it has it's own focus ring and aperture) - to shoot extreme close-up images - macro shots) but limiting focus to a few millimeters. This is called selective focus and it allows you more control over the composition. The human eye - controlled by the human brain - will automatically move to the area of focus in a photograph. By carefully selecting the area that is in focus you ensure the image is presented and received with the content you've selected being the undisputed focal point of the photo. I hope these little tips help. Happy shooting! And if you shoot some guitar photos and would like to share them with me, please tag me in your card!
ROCKO - The Bronx Maine Coon is so used to just getting up and going all hard-core NYC on people he's sort of taken on some less attractive personality traits... He'll just jump up and pummel you for LOOKING at his Sadowsky Bass. I mean, I can't blame him - the guitars made by my friend Roger Sadowsky are pretty much the tonal end-all-be-all. HUBBA BUBBA - In an odd North/South feud - Southern Georgia Maine Coone Hubba Bubba sits in a more casual, relaxed stance - mocking his "Yankee" cousin Rocko. H-Bub (his nickname) has often said that he hopes some "Carpet-baggin' Yankee Doodle Doo" comes back to the South to steal his favorite bass because he'd re-write history and win him a civil war of his own. And although I was born and raised in the South, I've never really understood all this North/South - "War of Northern Aggression" (what hard core Southerns call the Civil War) silliness. I mean jeez people (and cats), get over it! NONA (Nona The Eviscerator – also called the “Siamese of Destruction”) - One of the most feared and respected Ninja Guitar Guard Cats in the history of the profession. Born deep within the perilous mountains of Siam – Nona started her training as a 2 day-old kitten. At 8 weeks-old having shown an aptitude for violence on a Kurosawaian level – she was shipped to the hidden Cave of Caerbannog deep in the rocky wilds of the English Moors where she would be trained by the most fearsome warrior in the history of modern military combat; the Rabbit of Caerbannog. Now in semi-retirement in Southern California - Nona is teaching a select handful of young cats who've shown a tendency towards blood lust that rivals her distant ancestor, Genghis Wrath of Khan (the cat of notorious warrior Genghis Khan). Nona is guarding a VERY RARE Jazz bass that was converted to dual humbuckers - featuring some of the rarest AAAAA Tube Quilt Maple ever logged. AISA (The Death Bringer) - Aisa, who is the sibling of Nona - it's a long story involving a lost sea captain (The Pilot) who learns the ways of an Asian culture and adopts their warrior code - anyway... lacking her sister's gift of gratuitous violence and mind-bending accuracy when dispatching her foes, she became the "Shadow of Death" - a silent death bringer whose stealth and silence is legendary. By the time you realize she's there - it's too late, you're already dea................. ZEPHYR (The Leopard of Massacre) - Zephyr is an enigma, he's a lone hunter whose large size and strength belies the bard-like nature of his quiet soul. He's a warrior-poet who brings a beautiful symmetry to death as he brutally dismembers those who'd dare attempt to steal from him. He sits in a zen-like calmness - then with an explosion of energy that seems otherworldly in its speed and violence - he's on you like a lion on a gazelle; tearing your head of from behind and making oddly artistic patterns in the carpet with your blood. ABOUT THESE PHOTOS AND THE STORIES THAT ACCOMPANY THEM - My collection - Cats Who Guard Guitars - was born from a conversation I had with Alison Webster - a fellow photographer and wife of Death Metal legend Alex Webster (Cannibal Corpse). I have done some custom design (paint graphic) work for Alex's guitars in the past. When looking at my collection of cat and guitar photos she commented they looked like "guard cats". I stated they were actually ninja cats and guarded my guitars with a ferocity unmatched in the animal kingdom. She said, "you should write outrageous stories to go along with each photo." And a new obsession was born.