DaniaChicago
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Planting Perfect Holes Every Time!

This project is going to make your gardening more of a hobby and less of a chore!
Simply buy a piece of plywood--any size will do--and measure out a grid of dots to represent the holes you want.
Drill a small scree through the dots.
Apply some permanent glue to the exposed screws and screw on corks, which you can buy in bags online or at hobby and craft stores.
When you're ready to plant seeds, pack the dirt and place the board--cork side down--into the ground.
Simple diys like this give me fever! That's why I started Vingle My Summer for all the relevant summertime diys you gotta do before Fall! Click here.
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Chamaecyparis lawsoniana - Port Orford cedar, Gingerpine, Lawson's cypress, Oregon cedar, Port Orford cypress, Port Orford white-cedar, Port-Orford cedar
Conservation Status Red List Category & Criteria: Near Threatened Port Orford Cedar (POC) is native to a limited area along the Pacific Coast from Coos Bay, Oregon, to the mouth of the Mad River near Arcata, California, USA.  Its range extends from the coast to about 50 miles inland.  There is also a small disjunct population in the Scott Mountains of California. This species occurs in the greatest abundance within about 64 km of the Pacific coast. Further inland, its distribution is patchy, and it is mostly limited to sites with sufficient soil moisture.  The expect this taxon to be down listed to Least Concern within the next 10 years provided that current conservation actions are successful and maintained. Until then, it is assessed as Near Threatened on the basis that its recent decline almost meets the criterion B2ab(iii) for listing as threatened. Although POC has a narrow geographic range, it occupies many different environments. The species is found at elevations from sea level to 1950 meters, in glacial basins, along streams, on terraces, and on mountain side-slopes from lower to upper one-third slope positions. POC shows adaptability to a wide range of summer evapotranspiration stress, from very high humidity along the coast to very low summer humidity inland.  Soils where POC is found are derived from many parent materials, including sandstone, schist, phyllite, granite, diorite, gabbro, serpentine, peridotite, and volcanics. At lower elevations it is often found on ultramafic soil types. POC has moderately high shade tolerance, and is more tolerant than Incense cedar, Sugar pine, Douglas fir and Western white pine, and less tolerant than Shasta red fir, Brewer spruce, White fir, Sitka spruce, Grand fir, Western red cedar, and Western hemlock.  Other studies show POC able to reproduce well in all but the darkest microsites, including late-successional stands.  Zobel and Hawk (1980) found POC to survive under shade as well or better than all its competitors except Western Hemlock. In addition to being shade tolerant, POC is tolerant of repeated fire (Hawk 1977).  Even as pole-sized trees, POC has a good chance of surviving fires (Zobel et al. 1985). Fire resistance is less than that of Douglas Fir, but greater than that of the true firs or Western Hemlock.  POC is often the first species to reinvade after fire. POC is characterized as having fairly low drought resistance (Zobel et al. 1985), and its requirements for moisture during the growing season may limit its natural distribution. POC is considered more drought tolerant than Western Hemlock and Sitka Spruce, but is less tolerant than Douglas fir, Jeffrey pine, Incense cedar, Sugar pine, and most other trees found in its range (Zobel et al. 1985). Much of the range of POC usually has wet winters, dry summers, relatively uniform temperatures, high relative humidity, and frequent summer fog. Away from the coastal influences, in the south and east portion of its range, rainfall, relative humidity, and summer fog are decreased, while the temperature fluctuations in both the summer and winter are greater (USDA-FS 1965). Moisture regime strongly influences plant community development within the range of POC. To most populations of POC, a consistent abundance of water seems a critical necessity (Zobel et al. 1985). Where douglas fir is present it out-competes POC for water.  Only in the northern part of the range does the ratio of available water to evapotranspiration compensate for this competition (Zobel et al. 1985). POC may out-compete Douglas fir in areas with low macronutrients, or cold or saturated soils. International trade in the timber has previously put enormous pressure on the remaining old growth stands. The spread of the introduced pathogen Phytophthora lateralis continues and limits successful regeneration in many areas, especially those accessible by road. The current range of POC falls within the traditional territories of numerous American Indian Tribes along the west coast of North America.  Included is the 5,400-acre forest of the Coquille Indian Tribe in west-central Oregon which is managed according to many of the Standards and Guidelines of adjacent Federal land.  POC continues to play a significant role in the cultural and religious life of many Tribes living within the POC range from west-central Oregon south through northwest California.  Specific information concerning where, how, what time of year, and by whom POC is harvested and used is restricted from distribution. Cedars of all types are considered the most used wood by native cultures of the Pacific Northwest.  Despite declining availability, the cultural importance of POC remains high given its physical and structural characteristics, distinctive appearance, and aroma.  The smells of POC also enhance the meaning of cultural rituals.  Known for its durability, POC has straight grain properties allowing it to be split evenly.  POC is sought as a source of planks for building traditional structures and for arrows or lances that support bone or stone projectile points.  However, shortages and diminishing accessibility to mature trees sometimes relegates POC to parts of a plank house or sweat lodge, such as benches or sidewalls.  This is also true for construction of canoes. POC has other traditional uses.  Boughs are used as brooms, and the bark and roots are peeled and finely shredded for use in making traditional clothing, basketry, nets, twine, mats, and other items.  Limbs may be twisted into rope. Unlike Western red cedar and Incense cedar, POC has limited medicinal value due to its highly toxic character as a diuretic.  Similarly, POC is less effective than Incense Cedar for preserving and storing perishable materials such as feathers, hides, and other materials.  POC typically does not have the cedar-closet aroma of other cedars. The declining availability of healthy, mature POC trees through the 20th century has increased the importance of remaining POC stands to Tribes.  Although the region has experienced an economic and cultural rejuvenation by the Tribes, a declining availability of POC due to several factors, including past timber cutting, disease, endangered species protection, fish protection, and land use allocations, hinders Tribal initiatives to restore and revive cultural traditions. Agencies issue permits for collection of special forest products including non-POC boughs, beargrass, and cones, but seldom issue permits for POC product collections.  Therefore, quantitative data concerning modern-day cultural uses of POC is highly variable among the Tribes and generally not readily available outside Tribal communities.  In general, however, use of POC is at modest levels. Maintenance of POC stands on Federal lands as a culturally-important species is important to Tribes and fulfills Federal policies and goals for accommodating traditional Tribal uses.  These uses are also consistent with the “American Indian Religious Act,” and other statutes that highlight the importance of traditional cultural uses of plants on Federal lands.  There are no effects to the exercise of those rights, because there are no off-reservation treaty reserved rights within POC range. POC shares the same decay-resistant properties as other cedars, such as Western red cedar and Incense cedar, and is used for posts, rails, and shakes.  Western red cedar and Incense Cedar are more sought after because they have a wider range and are more easily accessible. POC is in greatest demand for boughs during Christmas and to a lesser degree, for year-long floral arrangements.  Boughs have a graceful, flat, beaded-lace appearance that makes them ideal for tying continuous strands to a wire backing for garlands or for layering into Christmas wreaths. The foliage also combines beauty with durability and needle retention that allows it to be preserved with glycerin mixtures for long-lasting floral displays. https://conifersgarden.com/encyclopedia/chamaecyparis/chamaecyparis-lawsoniana
Make This Shelf In 1 Hour - DIY
Totally serious! Yes--you can make this cute shelf with cute curves in about an hour. To add color to this woodworking project, all you have to do is get spray paint, sealant and wait for it to dry, which means it won't be done in an hour. Maybe 2-3 hours. Supplies Needed: -DPI board (you only need one sheet) -a pine board (1 x 6 x 8 would be just enough) -10 wood screws -paint & polyurethane -saw tooth picture hangers (optional) Tools: -table saw (you could get away with just using a hand saw) -drill -square -2 clamps (or a pair of helping hands) Step One: Cut 2 strips of DPI (each 6" x 48") and one board at 6" x 28 11/16". On either end of those pieces, measure and mark in 3 inches. Step Two: From here, it's just a matter of taking one side of each of the DPI pieces and putting them together, overlapping by 3 inches, then clamping them together. (Clamp on the end of each piece. You want room to screw into the middle shelf.) Make sure to keep the shiny side on the outside. After one side is clamped,very carefully, bend the two unclamped ends together, overlapping by 3 inches, and then clamp those. TIP: DPI will bend, but when you are bending it, do it slowly and without applying too much pressure to one single section, or it will snap. Step Three: Once the circle is formed, and if you did your math right, the center piece should fit nicely. From there, you can hold boards up wherever you want them and mark. Then cut. If the piece hits right in the middle of the circle, you won't need to cut angles. Step Five: After the pieces are cut and looking good in their respective spots, hold a speed square up to them while screwing them in... gotta keep the wonkiness to a minimum. Step Six: Finally, you can just put a screw or nail in the wall, hang the shelf on it, and call it a day. Or spend 5 more minutes and put a couple saw tooth hangers on the back for extra stability. Now that you're in the woodworking phase of DIY, click here to see even more!
Andrew Clemens: A Self-taught Folk Artist
Andrew Clemens, a self-trained society craftsman, didn't live long enough to appreciate the distinction. His works were executed in the sand and contained in little pharmacist bottles. In spite of their sensitive craftsmanship, the mid-nineteenth century public would have thought of them as interests, not amazing bits of compelling artwork. To demonstrate their genuineness and to engage the common participants of dime exhibition halls, these bits of sand workmanship were frequently crushed to pieces. "It's an inquisitively miserable story, similar to a scene in a Dickensian tale," composes Ken Johnson for The New York Times. Clemens created hundreds of sand art pieces in his lifetime, but only a few have survived. One of them came to auction with Skinner in the month of November in a timed online sale. Andrew Clemens sand art is famous worldwide. Many collectors have the collection of these bottles. Clemens was destined to German and Prussian workers who followed a dash for unheard of wealth to McGregor, Iowa. At five years of age, Clemens contracted encephalitis. In spite of the fact that he endure the expanding of his cerebrum, the craftsman lost his hearing and quite a bit of his discourse. That early ailment later carried him to the Iowa Institute for the Education of the Deaf and Dumb. During his understudy days, Clemens began to follow his advantage in craftsmanship. His late spring get-aways were spent investigating the feigns of the Mississippi River, gathering pieces of diverse sandstone and quartz. Clemens painstakingly constructed a range from the grains of these stones. He discovered shades of unadulterated white, ochre, red, yellow, blue, and green. When Clemens returned home, the genuine work started. His first tasks included layering the shaded sand in adjusted pharmacist bottles utilizing basic herringbone or jewel designs. Andrew Clemens sand art bottles gained fame. Steadily, however, Clemens' expertise expanded and he took on more goal-oriented subjects. Clemens utilized hand-created instruments to control the sand. He never protected his works with stick, rather depending on cautious pressing and strain to hold all the grains set up. Each container was finished tops curvy prior to being for all time fixed. "One container of this sand, addressing the forty odd tones, gauging twenty pounds, we especially appreciated as showing the expertise and creativity of the youthful craftsman who has organized the different tones in an appealing, imaginative and capable way," the North Iowa Times wrote in 1875. "The youthful craftsman was only fourteen days drew in upon this one container." His jugs were carefully tedious to make, with some needing longer than a time of work. The most multifaceted jugs had concealing and were three-dimensional. As Clemens set up himself locally, he began taking commissions for the sand craftsmanship bottles. A few clients mentioned their own names written in expound content, while others favoured fragile bloom scenes. This art is rare, find this art work for auction before all others. Check the auction calendar of auctiondaily. The containers were normally sold for between USD 5 and $7, or around $130 to $180 in the present cash. Over a century after they were created, the value of these jugs has expanded dramatically. Late closeout assesses normally fall somewhere in the range of $20,000 and $30,000. Notwithstanding, the most intricate pieces far outperform those appraisals. Interest in his work started moving upwards with a jug that came to $72,000 in a 2015 Eldred's closeout. All the more as of late, a custom jug for Mrs Eliza B. Lewis sold for $137,500 at Cowan's Auctions. The mallet cost was just about multiple times the high gauge of $35,000. It sold after 87 serious offers. Presently before his passing of tuberculosis at 37 years old, Clemens started accepting acknowledgment. "Our kin don't as expected appreciate this craftsmanship. The expert doesn't appear to know its value nor does he appear to understand his commended position among the innovators of the world," a paper supervisor wrote in 1888. Clemens' specialty will test a really willing business sector in 2020, one more ready to recognize his all-consuming purpose. Media source: AuctionDaily
How To Spray Paint Fresh Flowers
Since I can't get blue roses for my wedding, I looked into dying them blue, which can be done, but with limited success and too much labor and time. Instead, I stumbled upon this informational tutorial about getting the job done but with floral spray paint. Here are five methods for spraying fresh flowers for your wedding or any other use. Technique 1: Misting Hold the can 15" - 18" away from the flower when spraying. Move the flowers, not the can. Let it dry before adding coats. Tip here is to layer the color. Technique 2: Air Brushing Hold the can 20" away from the flower when spraying. Move the flowers, not the can. Here, you're just highlighting. Do not apply full coverage. Technique 3: Toning Hold the can 15" - 18" away from the flower when spraying. Hit just the edges of the petals to tone the flower. Don't completely cover the blossom. Technique 4: Back Spray Hold the can 15" - 18" away from the flower when spraying. Flat and wide single petal flowers are best for this. Mist the flowers ONLY from the back to develop deeper intensity. Technique 5: Tipping Hold the can 15" - 18" away from the flower when spraying. This works best for roses and carnations. Cup the flowers in your hand so just the tips are bunched together and exposed. After spraying, you will notice that just the tips are marked with color. If you've ever tried to dye your flowers and have found quick solid success, I would love to hear from you. My wedding theme is Tiffany Blue and as the new year gets closer to my wedding day, I still haven't figured out the flowers. HELP!! <3 Thank you!
Power Tools: To Repair or to Replace?
For construction or DIY lovers, a power tool can become almost like a son or a daughter. It sounds crazy, but a good, reliable power tool that helps you through every little project, no matter how challenging it can be, that tool becomes special. First, you start to like it, and later to call it your favourite tool. Then, you use it so much that the handle adapts perfectly to your hand. But with so much use, and no matter how good the power tool is, the day comes when it breaks. Will you go for a power tool repair? or for a power tool replacement? The decision will rest primarily on costs. The cost of repair vs the price of a brand new tool with the same characteristics, you certainly do not want to pay more for a repair than for buying it brand new. It is common to see that scenario with cheaper power tools, but when it comes to high-quality power tools, the durability of each part and the lower price for spares make it more convenient to repair. So do not make a quick decision on the matter. Instead, keep on reading to find out all you need to know to make the right decision. You might end up saving your favourite tool or falling in love with a new one. What kind of power tools can be repaired? You can repair every power tool! Interestingly, power tools die because of heavy use and only one of the components breaks, gets damaged, or runs out of grip. Usually, the components that break are: 1) Switch 2) Drive belt 3) Brushes 4) Power cords That is excellent news for you because you can easily find these parts from power tools online, and you can replace them yourself or send them to a factory authorised power tool repair shop for a replacement. The most popular brands have excellent availability of spare parts, usually for their more expensive models. Nevertheless, it is good for you to know which power tool manufacturers are the ones that provide more spare parts. The list of manufactures includes but is not limited to: · AEG · Arbortech · Black & Decker · Bosch · DeWalt · Dirt Devil · Dremel · Fein · Festool · Green Machine · Hitachi · Homelite · Husqvarna · Makita · Metabo · Milwaukee · Panasonic · Paslode · Protool · Ryobi · Skil · Vax Knowing that these brands provide easy access to their spare parts can help you decide which power tool you should buy so that you can rest assured that you can keep your power tool for a long time. That leads us to an important principle when buying a new power tool. More expensive is saving in the long run When shopping for a power tool, it is easy to find the right tool and look for the brand and model that sells it for cheaper. That kind of choice gives us an instant saving, but that could eventually backfire on you with time. More affordable power tools are more inexpensive for a reason, less power, weaker materials, lower reliability and longevity. But, on the other hand, more expensive power tools are made of better materials, better quality and replaceable parts. Therefore, when buying a new power tool, don't be cheap! Instead, think long-term and look for a high-quality power tool that, if it fails, you can quickly repair. Making the decision Your power tool is now broken, and it is time to decide whether to repair or replace it. What factors should you consider? 1) Cost of a new tool. Of course, the first item to consider is the cost of a new tool. Make sure that you are honest with yourself on this research. It is tempting to get a new tool, but ask yourself: Does the new tool have the same capabilities? If it is cheaper than your previous power tool, why is that so? Does the new power tool have spare parts available online? These questions will help you analyse the option objectively. 2) Cost of repair. In the same line as above, what would be the cost of repair? Is the cost a small percentage of the price of a new one? Depending on the quality of the power tool and how much you enjoy using it, how much are you willing to pay compared to the original price? You should never go beyond 80% of the cost of a new one that has the exact specifications. 3) How long it lasted before breaking. This point is often missed by many, but it is crucial to consider. Maybe your power tool is expensive, it is of high quality, it has spare parts available, but it broke after a year. That tells you that the power tool you have is not the right one for you. You probably need a power tool for bigger jobs or even higher quality to keep up with a large amount of use. So if it fails within a year, consider looking for a new one but on a higher tier of models. 4) Performance. Only you can have a saying on this point. Did the power tool perform as you like? How satisfied are you with it? The better it functions, and the more satisfied you are, the more reasons you have to repair that favourite power tool. 5) Original objective for the tool. Why did you get that power tool in the first place? Did it work for what you wanted? If not, it is time to change directions and replace the power tool for what you need. Again, make sure to get advice from experts on choosing the right tool. 6) Power tool repair shop. Do you have a trusted power tool repair shop in the area? The last thing you want to do is to send your power tool to an enthusiast repairer that will try to figure it out for you. A bad repair on your power tool will extend the pain of having a non-working power tool. Make sure to only go to factory authorised power tool repair shops. Some even offer power tool repair pick-ups from your house so that you don't have to travel. What is it going to be? After carefully analysing the situation, you can make the right decision on your favourite power tool. If it is to replace it, make sure to invest in a better quality power tool that you can quickly repair if it breaks in the future. Remember to do this only if the objective for your power tool remains the same. Also, consider the demand of your tool at your work to see if you need a model from a higher tier. If you decide to repair the tool, don't leave it in the wrong hands! Instead, take it to a factory authorised power tool repair shop that you can trust. Where can you go? No matter if you want to repair or replace it, there is one place that you should go. F&K Power tools is the best power tools shop online. Also, with a store in Sydney, F&K Power Tools offers factory authorised power tools repair with pick-up and delivery in all Sydney. Visit their website today or call them to get their expert advice! CONTACT F & K POWER TOOLS TODAY! F & K Power Tools Address: 86–88 Parramatta Rd, Stanmore NSW 2048, Australia Phone: 02 9519 7997 Website: https://fktools.com.au/
How to incorporate antiques into your home decor
You know what magic is? It is a happy home with exquisite interiors. Wish to design a home with majestic antiques? Incorporating vintage home decorative items in a modern home seems almost unbelievable right? You might have never thought that centuries-old home decorative items would take place in a 21st-century household. Well, let us tell you, antiques are a key to modern interiors. Antiques are growing popular day by day. Many people have antique furniture passed on from generation to generation, making space in the 21st-century world. But, if you look for ideas to help to mix vintage home decorative items in a modern home, it is no cakewalk. If you're looking for the best tips to incorporate antiques into your home decor, we've got your back! So, to unlock the door to a modern home with antiques, scroll right away! ● Group antiques by colour palette The basic aspect of astonishing interiors is following a colour palette. If your home decorative items are chosen keeping in mind the colour palette, it brings a sense of uniformity to your home decor. When it comes to colour blending, going for neutral hues can never go wrong. You can always try & bring life to the neutrals by popping a classy metal wall decor on your walls. If you wish to get your hands at the perfect metal wall decor, our website welcomes you with open hands! Colour popping or resting neutrals, antiques will definitely bring a breeze of grace to the room. ● Layer antiques meet new home decorative items Try to mix and match. What's a more eclectic and intriguing way to incorporate antiques in your home decorative items? Layer multiple styles and mix contemporary and modern home decorative items. An interior design with a chandelier and classic table lamp can be contrasted and layered with a vibrant hand wall painting. The hand wall painting shouldn't be too loud and modern in look. It would not just ruin the vibe of your home decor, but also look like a disaster. So, while selecting a hand wall painting, consider the colours and designs of it so that it flows well with your space. ● Let your antique be the show-stopper Keep all eyes on the antiques now! A bold antique home decorative item always makes a statement. It becomes the focal point in the room. Don't know how to do it? Well, a perfect home decorative item to make a statement would be a chandelier or metal wall decor that stands out in the room. You can also add a vibrant hand wall painting to add life to the walls of your room. To grab some of the most remarkable hand wall paintings, visit our website now! Remember to not go overboard with the interior design. Minimalistic home decorative items make the room aesthetics look more eye-catching. ● Keep them accessible Always remember that antiques also have a functional value along with aspirational value. You must not just keep them out of reach, as a home decorative item, but also as a useful resource. Keep them accessible. Make a place for antiques on your coffee tables, shelves, slabs and walls. Some home decorative items like hand wall paintings and metal wall decor would just add aesthetic vibes to the room. Yet, understand that it's important to add such decorative items too - Masterpieces that turn your room into no less than a dream. ● Mixing antiques of different styles and eras When it comes to antique home decorative items, don't limit yourself to just one style. Experiment, experiment, experiment! You can mix and match an antique wall clock decor with a contemporary hand wall painting. It will add layers to your room aesthetics. Adding on, putting up different sized mirrors, metal wall art and contemporary hand wall paintings would maintain the eclectic vibe of the space. This sort of arrangement of the home decorative items would make your room look as charming as ever. It would convince your guests that smart efforts are put in to make it a dream home! For buying, astounding antique home decorative items, you must gaze through our website. ● Keep it minimal One of the most stupid mistakes people make while decorating their home is overdoing it. You must understand that your home is not a canvas filled with colours and designs & elements. Keep it minimal and classy. A plane wall with classic metal wall art would look stunning as ever. Since antiques are already heavy home decorative items, it's best to stick to the basics like mirrors, metal wall art, hand wall paintings, etc. (You can also find magnificent wall mirrors on our website!) Keep in mind that the less cluttered your interiors are, the more sophisticated they look. ● More lights! It is a tip not just for antique home decor but also a door to breathtaking interiors. Light plays a significant role. You can juggle around with colours and patterns in the lighting of a space. More brightness will highlight the detailings in the antique home decorative items even more. For example, a metal wall art (gold, silver or bronze) would shine bright in the right light, catching everyone's gaze. For putting up a hand wall painting, pretty lights would elevate the essence of the room instantly. Each colour in the hand wall painting would stand out, grabbing everyone's attention. Want to make a home that makes a mark? You can certainly not do it without antique home decorative items. From hand wall paintings and mirrors to metal wall decor & accent tables, each home decorative item in your modern household gives it a unique essence. Hence, when you wish to incorporate antique home decorative items in your home, browse well through the options, compare and then decide. You can get some of the most seamless antiques and modern pieces online (like our own website!). Remember these tips the next time you think of adding some antique decoration to your place to turn it into your dream home! Source url- https://www.dekorcompany.com/blogs/news/how-to-incorporate-antiques-into-your-home-decoration
Bát đĩa Bát Tràng là sự lựa chọn thông minh của những người tiêu dùng thông thái
Bữa cơm là khoảng thời gian quý báu để các thành viên trong gia đình cùng nhau sum họp. Vì điều này mà bộ đồ ăn chất lượng sẽ đóng một vai trò vô cùng quan trọng. Sản phẩm không chỉ tác động tới sức khỏe của gia đình mà còn giúp tạo thêm màu sắc cho món ăn, khiến chúng trở nên ngon hơn về mặt thị giác. Bát đĩa Bát Tràng là sự lựa chọn thông minh của những người tiêu dùng thông thái. Không chỉ vậy, đây còn là một món quà biếu, quà tặng người thân ý nghĩa trong các dịp đặc biệt. Ưu điểm nổi bật của bát đĩa Bát Tràng là: - Xương gốm sứ cao cấp, không chứa chất độc hại, an toàn với sức khỏe người dùng. - Được nung ở nhiệt độ cao trên 1200 độ C, đảm bảo chịu va đập tốt, bền màu theo thời gian. - Được phủ một lớp men bóng, giảm thiểu khả năng bám bụi, dễ lau chùi, vệ sinh. - Hoa văn vẽ tay tinh tế, sắc nét. - Mẫu mã, kích thước đa dạng, phong phú - Giá thành phải chăng. Chi tiết về sản phẩm: https://battrang24h.com/san-pham/bat-dia-su-bat-trang Bát đĩa Bát Tràng được chế tác từ những bàn tay nghệ nhân “lão làng”. Sản phẩm được làm thủ công 100% nên mọi đường nét, mỗi công đoạn đều mang cả tâm huyết và tâm tình của người làm gốm vào trong từng sản phẩm. Với mong muốn phục vụ mọi đối tượng, bát đĩa Bát Tràng có chi phí rất cạnh tranh, phù hợp với giá thành chung trên thị trường và phù hợp với điều kiện kinh tế của mọi người. Gốm Sứ Battrang24h là địa chỉ cung cấp những bộ đồ ăn Bát Tràng cao cấp, cam kết chất lượng hàng đầu với khả năng chống trầy xước, chịu va đập, khó bể, mẻ trong suốt quá trình sử dụng. Sản phẩm của chúng tôi luôn được đánh giá cao về thiết kế, toát lên vẻ sang trọng, góp phần cho bữa ăn gia đình thêm ấm áp.
DIY Address Number Wall Planter
You all know by now how much I love planters, pots, terrariums, etc so it should come as no surprise that I'm sharing this awesome DIY I found over on Shanty2Chic. Here's a simple walkthrough of how to create your own house number/flower planter! Depending on the supplies you choose, this costs less than $35! Supply List 1 – 5.5″ cedar fence picket 1 x 4 x 8 cedar board Metal Address Numbers Succulents (or plants of your choice but, come on, succulents!!!) 1. Using a small hand saw or a ridgid miter saw, cut your fence picket into 3 pieces that are each 18″ long. Using a drill, add 3/4″ pocket holes on two of those 3 boards you just cut (see above photo) 2. Use a drill to attach the three boards using 1 1/4″ pocket hole screws through the pocket holes. Your boards will then look like the photo above. (the back of the boards are shown) 3. Next make your 1×4 cuts. This will be your planter. I made 4 cuts… 1 – 10.5″ 2 – 3.5″ 1 – 12″ I added 3/4″ pocket holes to one side of the 10.5″ piece. Use these pocket holes to attach the planter to the planked back. These will face up and will be covered by the plants. After adding those pocket holes, attach your two 3.5″ side pieces to the 10.5″ bottom piece using Gorilla wood glue and 1.25″ brad nails. Your box should look like this so far. 4. The final step (of making the frame) is attaching the top 12″ board. Use a nailer with 1.25″ brad nails and wood glue to attach it. 5. Stain and sand (optional) then when dried, attach your metal numbers using a drill. 6. Add in your plants and attach to a wall with nails, duct mounting tape, etc! And you're done!
Rago Auction House: A Destination for Learners, Buyers, and Sellers of Arts, Antiques and Collectibles
Rago Auctions is the biggest and famous auction house in New Jersey. Since 1994, it has served a large number of merchants and purchasers with a solitary mix of worldwide reach and individual assistance. One of the top sale houses in the field of the twentieth-century plan since its origin, Rago's skill covers hundreds of years of artistic work, embellishing expressions, decorations, gems, silver, money, and ethnographic property. It is a globally known setting through which to purchase and sell. It is additionally an objective for the individuals who look to learn and share information about workmanship, collectibles, and gathering, offering free valuations for individual property (from a solitary piece to accumulations and homes), examinations, and closeout displays in-house and on the web. Thoughtfulness regarding dispatchers is of principal significance and customers appreciate direct admittance to accomplices and specialists all through the valuation, transfer, and closeout measure. Rago Auctions happily supports local arts and local area associations here and there in the Delaware Valley and consistently bands together with associations including the Historical Society of Princeton, the Philadelphia Museum of Art, and the Nakashima Foundation for Peace, among numerous others. Rago Auction Lambertville New Jersey has become a leading auction house not only in Lambertville New Jersey but also in the world. In the mid-year of 2019, Rago's united with Wright (a closeout house situated in Chicago and New York), making a joined organization with $60+ million in merged yearly deals, a group of 75, and over a hundred years of business experience. Rago's expansive mastery in workmanship, gems, earthenware production, and domains and Wright's attention on the plan and the inventive show will better serve their customers and broaden their ability in the realm of craftsmanship and plan. The two houses will keep on working under their individual names while sharing innovation, skill, and showcasing endeavours. Tonal Sculptures by Harry Bertoia for auction at Rago. Rago Arts and Auction center had tonal sculptures of Harry Bertoia at auction. Harry Bertoia was a notable sound workmanship stone worker, visual craftsman, and furniture architect. The craftsman was brought into the world in Italy and moved to America at 15 years old. Bertoia attended a university with specialists like Walter Gropius, Charles and Ray Eames, and Eero Saarinen. In spite of the fact that Bertoia was keen on expressions and furniture plan, his genuine ability was in sound model. He frequently bowed or extended bits of metal while testing in his workshop. At the point when presented to contact or wind, these pieces made tempting sounds. The impending Rago sell off features different apparent models by Harry Bertoia. The feature is an untitled multi-plane development made for the First National Bank of Miami. The 1958 craftsmanship establishment is made with steel and canvassed in dissolve covered metal. Bertoia's son ambient figures produce distinctive and natural sounds that meditatively affect audience members. Likewise displayed is a work area made for David Solinger's law office by conspicuous wood stone carver Wharton Esherick. The 1954 pecan and cherry work area has an enormous extra room with drawers, retires, and sliding entryways. Prevalently known as the "Dignitary of American Craft," Esherick was known for diminishing the hole among expressions and artworks to restore interest in wood craftsmanship. The accessible work area is an unmistakable illustration of Wharton Esherick's Cubist and German Expressionist style. The closeout will include furniture from the Nakashima Studio by father-little girl team George and Mira Nakashima. A divider bureau by George Nakashima features the qualities of the American dark pecan with its unmistakable plan. Works from Albert Paley, Pierre Jeanneret, and others balance the list. Find few of the art of George Nakashima which were featured at auction. For more such auctions and their schedules, see the auction calendar of auctiondaily.
Terrarium Side Table - Easy DIY
From the looks of it you might think, TOO HARD, FORGET IT. But you'd be wrong because this is actually a really easy DIY project that can really enhance your indoors by bringing the outdoors in. Supplies Needed: -4 sheets of plexiglass that are 24 x 18 inches -2 sheets of plexiglass that are 24.5 x 24.5 inches or larger -weld-on #4 and applicator bottle with needle -1 sheet 24.5 x 24.5 inches OSB or plywood -(2) 24.5 inch 1x2 wood pieces -(2) 26 inch 1x2 wood pieces -one 1 inch dowel for legs -4 screws -plexiglass knife (if needed) -saw (if needed) -drill -spray paint -terrarium insides (gravel or river rock, moss, manufactured mulch, faux succulents) This is an easy project for those who know there way around the DIY world. If you are new to DIY, then this is going to be a bit more advanced than you might be used to or come to expect. Also, expect to spend a good $200 on this project, depending on what you already have on hand and what you need to buy. Step One: Assemble the base of your terrarium. You can see from the photo above how I (very simply) put mine together. Basically you're going to make a short table with a lip that is sized to fit your plexi box inside. Step Two: Assemble your terrarium box. You'll be using electrical tape and the weld-on #4 to fuse the corners together. These sheets can be cut down by you or the hardware staff. They also come in different pre-cut sizes. Step Three: Create the top piece by fusing two plexi sheets (one smaller than the other) together. Step Four: Fill any edges of your base with wood filler and then paint the base. Step Five: The funnest part of this project is the creation of the contents. Have fun with rocks, plants and